Akg c414 uls frequency response of an amplifier
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AKG C414 XLS
The C XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application.
A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use. AKG c With its airy sound, high overload limit and improved engineering details, the C B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.
Shure SM Vocal - Dynamic - Cardiod. The SM58 is consistently the first choice for vocal performances around the globe. Instrument - Dynamic - Cardiod. The legendary SM57 is an industry standard, highly versatile cardiod dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.
Shure Beta 58a. Dynamic - Super-Cardiod. Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA 58A has been through the ringer, pushing voice to the limit on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone. Shure Beta 57a. Dynamic instrument microphone provides high gain before feedback in demanding environments.
It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio. Shure Beta 91a. Instrument - Condenser - Half Cardiod.
The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response. It has a two-position contour switch for optimised sound signature depending on application.
Shure Beta 52a. Instrument - Dynamic - Super-Cardiod. Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds. Sennheiser e Dynamic - Cardiod. Dynamic cardioid instrument microphone. Designed for drums and percussion. Compact with clip to attach to the rims of toms and snares. Excellent sound profiling, adapts to all percussive styles.
Robust metal casing. Professional super-cardioid, dynamic instrument mic. Versatile to handle drums, percussion, and guitar amplifiers.
Switchable presence filter to tailor its sonic characteristics to different requirements. DPA Instrument - Condenser - Shotgun.
This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.
Audix D6. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets.
The D6s transformer less design, low impedance and balanced output allow for interference-free performance. EV RE EV RE, dynamic large diaphragm microphone for Live and Studio application, cardioid pickup pattern, 30 - Condensor - Super-Cardiod. A supercardioid polar pattern enhances acoustic isolation and off-axis rejection while a low-frequency roll-off switch tailors the low end for any application.
The mic has a built-in EQ circuit that reduces low-end muddiness due to proximity effect. Instrument - Dynamic - Super Cardiod. Instrument - Condenser - Cardiod. Cardioid, true condenser instrument microphone l Continuous presense rise enhances sound quality l Truecondenser, transformer-less design l Great for micing hi-hat cymbals, strings, acoustic guitar and choirs.
EV RE90h. Hung Boundary - Condenser - Cardiod. Compact, hanging style condensor microphone l Ideal for choir, instrumental and vocal groups, and live theater l Controlled cardioid polar response for distant sound pickup without feedback l ft braided, sheilded cable maintains microphone's position without rotation.
Audio Technica Smooth, extended frequency response with a slight rise occurring in the high-frequency region. Ideal for drum overheads, acoustic guitar, piano, horns and under snare.
Low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients. Condenser - Shotgun.
The length It operates on battery hours typical or phantom power. Audio Technica UQ. Lectern - Condenser - Cardiod. It features a small-diameter gooseneck that adjusts easily to any position. It is a cardioid condenser microphone and offers unsurpassed immunity from radio frequency interference thanks to Audio-Technica's UniGuard technology. Self-contained electronics, phantom-power, plus an 80Hz low-cut UniSteep filter to reduce pickup of low-frequency ambient noise make it easy to use.
Audio Technica Pro49Q. Lectern - Condenser - Shotgun. With a flat, smooth frequency response and self-contained electronics, this mic features a quiet, fixed-placement, long-life gooseneck and wide-range condenser element with low-mass diaphragm for superior performance.
Audio Technica Pro Boundary - Condenser - Cardiod. With its half-space unidirectional polar pattern, low-profile design, and outstanding sound quality, the PRO 44 is ideal for conference tables, podiums, lecterns and other installed-sound uses.
The PRO 44 is equipped with a wide-range condenser element with low-mass diaphragm for superior performance. Audio Technica ATM The microphone offers a crisp, clear, well-balanced response, even at high SPLs. It features an integral 80 Hz hi-pass filter on the in-line power module. Its cardioid polar pattern reduces pickup of sounds from the side and rear for effective protection against feedback. Audio Technica at Studio Condenser - Cardiod. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response.
With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. Audio Cable. Mixing Consoles. Microphones and DI. Ring Intercom.
Audio Kits. Music Stands. Special Effects. Enquire about this item. AKG c Condenser. Shure Beta 58a Dynamic - Super-Cardiod. Shure Beta 57a Dynamic - Super-Cardiod.
Complete Guide To Microphone Frequency Response (With Mic Examples)
The Neumann TLM and the AKG c have been some of the go-to high-end microphones in the recording industry for years now and you will certainly find a couple of them in every professional studio, and by that I mean high-end studios. In this article, I will go over the differences between these two microphones, how they perform, their overall features, and which one you should get depending on your needs. It was designed with a plethora of sound sources in mind: Vocals, acoustic guitar, electric guitar, and drums have all been known to get the treatment. The TLM is a large diaphragm condenser microphone with a cardioid polar pattern. The packaging of this mic is by far its least professional aspect.
What Is Microphone Frequency Response?
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Top 9 Best Microphones for GUITAR AMP in 2021
Post a Comment. Help Support This Blog Any purchases made through our Amazon links help support this blog at no cost to you you can click here. Just like anyone who works in a studio, I have a soft spot in my heart for vintage microphones. Not only because they sound so good if they're working well, but because they look so cool. I've made sure to include a section on vintage microphones in The Recording Engineer's Handbook that covers a brief history of most of the beloved mics that we see in major studios and would love to have in our own studios as well.
AKG C 414 XLS
Why do some microphones sound better than others? Why do some microphones capture certain instruments better than others? So what is microphone frequency response? Microphone frequency response is the frequency-specific output sensitivity of a microphone. It shows the relative output levels of the frequencies a microphone is able to reproduce from external sound pressure. Frequency response is specified as both a range and as a detailed chart.
AKG H 39 Belt adapter for SE 300 B microphone
Nevertheless, the C has undergone a number of evolutionary changes over its long lifetime, changing shape, adding and discarding transformers, and now, in its latest incarnation, sprouting LEDs! Although the overall shape of the new versions is unmistakably C, virtually everything about the microphone has been redesigned in an effort to retain the original sound, while at the same time improving the technical performance. AKG cite 15 improved features, though one of these relates to the depth of engraving and the colour of the infill, so clearly some are of more importance than others! A slight additional lift above 3kHz gives this model a slightly more airy and open top end that is useful when miking vocals to capture a contemporary 'crisp' sound, or when miking instruments at a distance where the high lift helps compensate for the natural HF loss that occurs at a distance. As the mics are so similar, I'll simply refer to them as the C until the time comes to describe their tonal differences.
Login Your Cart - 0 Items. Unlike the U87 multi-pattern microphone which has two electronic variations since it was released in , the has had nearly a dozen incarnations since its first inception as the C comb in These variations have significantly changed the sound and circuit designs over the last 4 decades garnishing many opposing opinions on its sound.
Realistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localisation from the pair of microphones. Therefore, every factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of Hz to 8, Hz of the individual frequency response when used in cardioid mode.
The AKG C has been historically one of the most used large condenser microphones in studio and live applications. Such a versatile mic! The front-panel switch selects between the five common polar patterns cardiod, wide cardiod, hypercardiod, fig-8, omni and four intermediate settings. A green LED light over the switch which lets you know which polar pattern is selected, becomes red when the mic is overloaded. Two more switches are found on the rear; one controls three pre-attenuation pads and the other one three low-cut filters. Let your mind free to imagine in how many scenarios these tools can be used. My ears were pleased when miking horns, double bass, cello, percussions or drums in almost any part of the drum kit, the dB maximum SPL makes no problem when miking extremely loud sources as kick drums.
From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C XLS to this famous line.
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