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70 mhz amplifier schematic baldwin

Try out PMC Labs and tell us what you think. Learn More. Excessive noise is well known to impair rodent health. To better understand the effect of construction noise and to establish effective noise limits during a planned expansion of our vivarium, we analyzed the effects of construction noise on mouse gestation and neonatal growth. Our hypothesis was that high levels of construction noise would reduce the number of live births and retard neonatal growth. In addition, groups of mice with litters were exposed to noise at 70, 80, or 90 dBA for 1 h daily during the first week after parturition.

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Welcome, Guest. Please login or register. Home Help Search Login Register. Does size matter?? Pages: [ 1 ] Go Down. Author Topic: Output Transformers.. Read times. Toxophilite Level 3 Posts: I have a couple of OTs that could work with my deluxe build. Humourously I had it up and running but it was super quiet i checked all the usual suspects and then tried alligatoring another OT.

Then it worked great!. I was doing the surgery to remove the one I was originally trying when I noticed my speaker jack was shorting out Anyway I have asked a similar question before but couldn't find my post for it So I have these two OTs Both were originally powered by a pair of EL84 6BQ5 the smaller one with bell caps is 30 -1 and from a Hammond AO originally powering an 8 ohm speaker The bigger one with no bell caps is and from a baldwin organ also powering an 8 ohm speaker Can I make any assumptions as to their power handling and or frequency handling based upon their differences in physical size Or is it on;y something I can figure out with extensive testing or through the use of gear that I don't have?

Quote from: Toxophilite on February 15, , pm. Build problems? Read this first. Blind Lemon Level 3 Posts: Do you smell something OH Crap! It's smokin'. Nasty good. Maybe not much difference in performance between them. You'll almost certainly need to hear the amp dimed with each to evaluate the difference.

Quote from: HotBluePlates on February 15, , pm. I want a clear clean amp with a wide frequency range, that doesn't way a million lbs. I find the 'mojo' to be far too subjective. It means different things to different people. I was curious though if he had left out a word in his explanation. Well I wired the bigger no bell caps back in It sounds good at the pathetically quiet volumes i can play at am I'll take the amp elsewhere and give it a better work out tomorrow or the next day.

I'm not sure what you mean by 'rev' Sounds like you changed some parameters and got the sound you like! Though gear is obviously very fun to play with. The only quest I'm on is for a small portable amp that can provide totally clean sounds at gigging level. I know and have already found the sound I want long ago. Building amps is really more of a fun sideline to making music I think engineers use 'dry' language because then they have terms that all understand equally "Tone' 'mojo' and similar subjective expressions mean different things to different people.

I have another question. If I put a Vibrolux OT in this deluxe build it seems to have the poop to handle 6L6Gcs if I wanted if the specs are mostly the same Hammond Transformer is it a big deal to run a vibrolux OT with 6V6s provided the amp is biased for the 6V6s?

SoundmasterG Level 3 Posts: Quote from: Toxophilite on February 16, , pm. Thanks very much! Quote from: Toxophilite on February 16, , am. Thanks for the clarification and further information HBP That helps And Shooter I understand what you were saying now and appreciate the example Thanks! I just want to reiterate the important point made by HotBluesPlate: OT size is mainly a function of the lowest frequency that you want to reproduce.

A 20W guitar amp can have a much smaller OT than a 20W hifi amp because it only needs to go down to 80Hz. That's a full two octaves less demanding than the usual spec of 20Hz for hifi. It makes a huge difference no pun intended.

If you want clean and clear, try running a lower load. The same tubes into 10k load will bark and snarl at lower levels.

I understand that Hifi OTs need to handle lower and higher frequencies than guitar amps As to the load,do you mean using a different impedance speaker so I get a different reflected load on the primaries? I was speaking in general terms. Like if you had nothing to start with and could pick from anything that's currently available. In your case, with given OTs and speaker, you can't adjust the the load to the tubes.

Unless there are different speaker taps on one or both of the transformers, but I didn't notice them in the photo. Compared to 8 ohms, a 4 ohm load on the secondary would present half the load at the load at the primary - what the tubes see. Think of a transformer as a set of gears with a specific set ratio.

When you ride a bike with a lot of different gears you choose one that presents the right load to your feet depending on whether you're riding up hill or down hill. An output transformer is usually just one gear unless it has taps for different speaker loads - 4,8,16 ohms. Different tubes work "best" with different loads gear ratios so transformers are wound to present different loads to the tubes given a specific load at the output the speaker.

It's possible that the two transformers you have are wound differently if they were meant for different applications; maybe different tubes or maybe different speaker loads. There must be a web page of YouTube video showing how to measure the winding ratio of output transformers.

As for the bike analogy, it's not perfect, but hopefully it helps you understand a little better what a transformer does. Consideration of plate voltage is necessary if you want to get optimum output. Optimum meaning the highest wattage with lowest distortion. For instance, the 6v6 when used in a Hammond organ tone cabinet you will often find a 10k to 8ohm for the main speaker.

An inductor input will lower the voltage by a factor. Viewing the datasheet willl provide your operating conditions. Same tube with increased plate voltage in a 5g9 will have a 8k to whatever the speaker load your turns ratio determines. Keep pushing up the voltage to blackface voltages and you will have a preferred 6.

With the 3 differring designs, you will normally get the most clean watts from the inductor input, but it is very close to the blackface. No mojo here. Of course the wattage off the ab wilbe more, rewiewing both on a 2 channel scope shows that the hammond will provide more clean watts. If you review the KT66 data, and consider it fot your Super you would probably run 4k pp.

The original Jtm 45 used a HiFi Radiospares multitape 6k6 load. I can only guess as to this being chosen be ause they prefered the sound. Thanks for the help! Sincerely Ed Chambley. Quote from: Tony Bones on February 19, , pm. Yeah I'm not really seduced by more volume volume volume I want a clean stage sound and not the half distorted sound that many think constitutes 'clean at a more reasonable size and weight.

My super weighs 85 lbs I believe Leo Fender and his engineers were trying to design louder cleaner amps for most of the of the 50s 60s and 70s. They weren't trying to design the ultimate distortion machine. My Super happens to be one of the 70 watt UL 'sterile" models I like it and have played it live, in the studio etc etc for the past 25 years.

People always tell me how great it sounds and players are surprised that I'm playing one the 'undersirable' models. I feel the important thing is what you do with your instruments, What you choose to play and the attention you give to getting what you want.

Viva recycling! I really appreciate all the responses and information. Quote from: sluckey on February 19, , pm. Quote from: Toxophilite on February 19, , pm. Ritchie Level 4 Posts: Smokin' 88's! My religion? I'm a Cathode Follower! Can we have everything louder than everything else? Pages: [ 1 ] Go Up. SMF 2. Mobile Device Catalog Link. Yard Sale Discontinued. What's New. Board Building Parts. Amp trim Handles. Lamps Diodes. Hoffman Turret Boards.


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Siemens Sentron 5SJHG40 Type HSJ Miniature Circuit Breaker, VAC, 2 A, IP20, DIN Rail Mount, to 55 deg C, 90 mm H x 18 mm W x 70 mm D.

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The Mitre Slave is equipped with two 0dBM balanced line inputs incorporating a priority switching. The priority is selected using a two-way dual in line switch. Therefore it is possible to have both inputs mixing together or cascade priority depending on the. LED indicators on the front panel show clearly which input or inputs are busy and the channel gain. The output stage is protected against overload. Should the amplifier be subjected to an abnormal load the input to the. Over temperature protection is provided using sensors attached to the output stage heatsink.

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70 mhz amplifier schematic baldwin

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David J. Baldwin has filed for patents to protect the following inventions. Justia Patents David J. Audio amplifier and methods of generating audio signals. Patent number: Abstract: Audio amplifiers and methods of generating audio signals are disclosed.

Continuous apverter circuit changeable to an audio frequency amplifier William A.; and Baldwin, John J., to Merck & Co., Inc. , CI.

High-precision optical-frequency dissemination on branching optical-fiber networks

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