Presonus quantum usb
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Review: PreSonus Quantum 2626 Thunderbolt 3 audio interface
By Mark Davie. By explicitly specifying that its new StudioLive AR series are hybrid mixers — equally weighted to performance and recording — Presonus is doubling down on the concept. It also has eight analogue outs. A pair each for main monitor outputs, control room outputs, a stereo headphone jack and two mono aux outputs. Sure, digital desks can flip channels to DAW returns and spit each track back down a fader, but with no fader automation that would be daft.
A stereo return is good enough, but having the option for two on the AR12 means you can create alternative monitor mixes. You also get pan, two pre-fade aux sends, and a post-fade FX send. The aux sends each have a group fader, mute and an AFL button for monitoring the mix via cans. By plugging a jack in, you bypass the internal engine and are free to either plumb in an external rack unit or use it as a basic post-fade aux.
You can also feed the FX send into the other two auxes to wet your monitors if required. The mono channels exceed the abilities of the stereo channels in the EQ department too. While both channels have a fixed 12kHz high shelf and 80Hz low shelf, only the mono channels have a variable mid-band Hz—3. The stereo channel mid band is set to 2.
The EQ was handy for broadly shaping sounds, with a smooth quality up top and healthy low-end bump, which is all you want for a desk this size. My one bugbear with the EQ — and a little hit to the dual purpose mantra — is that the EQ is bypassed by default when recording.
It would have been nice to be able to switch it in or out of the recording chain. I would typically expect a mixer this size to only have pots for the main aux level controls; faders are a nice touch. A typical interface would have multiple stereo-assignable outputs, usually eight, for individual monitor mixes.
The manual says aux mixes can output in mono or stereo. All stereo inputs are summed to those outputs, which limits the ability to directly monitor channels in stereo. Link Audio: 03 or info linkaudio. The portable AR series of mixers are true hybrids; equally at home in the studio and live.
They are flexible desks, with two modes of recording, multiple inputs per channel, and a Super Channel that can handle five inputs by itself, including Bluetooth.
There are 16 effects in all, and while most of the reverbs are usable at lower send levels, the chamber is quite nice. The delays are very useful, you can choose between short, medium and long, the tape echo is a bit quicker again, and Spacey seems to have a long echo, with some closer recurring delays.
It would have been nice to have some basic EQ on the FX return channel, but the ability to feed it into the aux mixes and use it as a post-fade aux is pretty flexible in itself. The advantage of having mute and PFL buttons at your fingertips makes auditioning sounds and checking phase much quicker than looking for similar software controls.
Also, having everything laid out on a slight incline, rather than in a rack, is obviously easier to access. Likewise, for a small surface, the knobs are all generously proportioned and easy to access — no finger pinching placement here.
Bluetooth pairing is super simple to use, just press and hold to pair. It truly is a hybrid mixer befitting the StudioLive name. Your email address will not be published. Review: PreSonus Revelator io Review: Presonus Quantum PreSonus Revelator io24 Audio Interface. PreSonus ioStation 24c Interface and Controller. PreSonus Quantum Thunderbolt 3 Interface. Precious Metal. Subscribe Contact Us Advertise.
Skip to content. By Mark Davie 10 January Save my name, email, and website in this browser for the next time I comment. Filter by Post type Post Page. Get AudioTechnology magazine sent straight to your inbox every month First Name. Last Name. Email Address.
PreSonus Quantum 2626 Thunderbolt 3 Audio Interface
Looking for an effective way to integrate your console or patchbay into your recording rig? Want ultra-clear digital conversion and next-to-zero latency? Sound too good to be true? It's not.
Presonus AR12 USB Hybrid Mixer
Record and create high quality tracks. PreSonus audio interfaces provide both quality and value for producers, songwriters and engineers. Showing 23 of 23 products. PreSonus Audio Interfaces. Read more Record and create high quality tracks. Below you can find a range of interfaces to suit your needs, as well as complete packages to get started with recording. All PreSonus interfaces come with a day money-back guarantee and two-year warranty. Read less. Sort by.
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PreSonus Quantum 2626 review
Mit Service Plus kaufen Sie klimaneutral ein. Preise inkl. The result is our leanest, fastest, lowest-latency interface to date. Cutting-edge bit, kHz converters with dB of dynamic range and a surprising amount of expandability and software control options round out the package. With the Quantum, your audio interface is an integrated extension of your recording environment.
Questions & Answers
US UK. Switching between stores will remove products from your current cart. Item :. Record and monitor through your favorite plug-ins inside your DAW with the blazing fast speed only Quantum interfaces can deliver. The Quantum takes advantage of the jaw-dropping speed of Thunderbolt 3 to achieve a barely-measurable round-trip latency of less than 1 ms. Superb high-definition digital conversion and eight ultra-transparent analog XMAX mic preamps ensure your audio always sounds its best. Insert your favorite outboard gear with two direct preamp outputs and dedicated line-level returns. Streamline your recording process and make better music, faster with the Quantum
PreSonus Quantum 26x26 Thunderbolt 3 audio interface. Record and monitor through your favorite plug-ins inside your DAW with the blazing fast speed only Quantum interfaces can deliver. Superb high-definition digital conversion and eight ultra-transparent analog XMAX mic preamps ensure your audio always sounds its best.
PreSonus Audio Electronics, Inc. It was initially based out of Odom's garage. The company's first product was the DCP-8, a multi- channel digital processor including compression , gating and mix automation that could control analog audio using MIDI resulting in a new patent. In , KristalLabs Software Ltd.
When it comes to audio interfaces, PreSonus have a long history of adopting new protocols. They were among the first few companies to make a Firewire interface the FireStation, which was also the first to make use of Yamaha's mLAN protocol , and more recently they've been keen early proponents of both USB 3. Their first interface to use the latter was the PreSonus Quantum, which took full advantage of Thunderbolt's data transfer speed to provide remarkably low latency. You can read our glowing review of it in the September issue. One thing that sets the Quanta apart in a very crowded market is that they all dispense with DSP.
Lightning fast latency and quality Class A mic pres in a truly affordable package make the Quantum a highly desirable interface. Looking to record and monitor multiple audio streams at once? USB may not be robust enough. But it still sports an impressive feature set and operation at up to bit kHz via its analogue inputs.
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