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Rock distortion pedal

Ready to buy? Please use our affiliate links to Sweetwater , Reverb. It colors your sound, and the more gain you apply the more compressed and… distorted it gets. As usual, mouseover or first tap in mobile on the picture of the pedal opens a description, while a click or second tap opens a video. We were really surprised to find this pedal mentioned in almost all the best of list we took into account for this piece yes, we assumed the BOSS DS-1 was going to win hands down. Players and critics love it not only for its sound but for its versatility, although it shines at high gain distortion.


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WATCH RELATED VIDEO: Digitech Hot Rod Rock Distortion

The 15 Best Distortion Pedals For Guitarists (From Blues To Metal)


From doomsday devices to versatile dirt boxes, we pick out 20 essential distortion pedals for the modern guitarist. Image: JHS. Developed in a special collaboration between JHS and the shred-maestro turned blues-aficionado, Paul Gilbert. Whatever setting you dial in, the stompbox offers a natural, responsive and articulate tone that captures your playing style, warts and all. The Dark Matter, according to TC Electronic, is meant to sit between heavy overdrive and light distortion.

At lower gain levels, it emulates those old-school classic rock tones that issue out of cranked-up tube amps. And like any good distortion pedal, this black box is a no-brainer to operate. Two active EQ controls bass and treble , gain and a level knob are all the dials you need to work with. Its controls tell the whole story. The pedal has a wide gain range, going from mild, blues-friendly tones to a mid-gain distortion suitable for most styles of rock all the way to full-on saturation for metal.

Image: Fender. The Fender Compugilist takes one half of the already fantastic Pugilist Distortion , and adds on a handy compressor. With both effects independently switchable, this stompbox is a dual board solution. The compressor is highly functional — though never overwhelming. Read our interview with the brains behind Nanolog here. A recreation of the Bohm Trickverzerrer, which is said to be the only distortion born out of East Germany. It produces harsh and abrasive tones that may not be immediately pleasing to the ear.

Rock and roll was for the most part — frowned upon in East Germany. And If you were a budding young rocker — you were hard pressed to just pop into the cornershop and pick up a new Fuzz Face. Instead what you might have gotten was a Bohm Trickverzerrer. Read our full review here. The pedal is an aggressive beast that combines MOSFET and solid-state design to offer the tone and dynamics of a cranked-up amp, with lots of mids thrown into the mix.

Image: Earthquaker Devices. Turn it all the way up to deliver doom-inspired cranked tube tones, or back it almost all the way off for tight Nashville-esque twang. Image: Revv Amplification. Controls on this elegant purple unit are not much of a surprise.

It has a three-band EQ, volume and gain knobs, and an Aggression toggle switch. The latter control is where things get interesting. What started out as a Whiteface ProCo Rat was developed by the pair over the course of four years. All in all, the DRV provides exceptional drive all while maintaining an almost amp-like response.

At zero the mids almost completely disappear, and at maximum — the pedal starts to self-oscillate, producing feedback screeches like something more commonly found in a Death By Audio pedal.

Image: Keeley. Keeley designed their Filaments pedal to be a high-gain all rounder, using a completely analogue circuit to provide all manner of tube-inspired nasty. To help sculpt your ideal tone, the pedal employs six EQ parameters. With the switchable modes: Boost, Bright and Crunch, you can quickly alter the personality of the Filaments at the flick of a switch.

And most surprisingly, it maintains a quiet noise floor even at high outputs. Photo: Walrus Audio. With the help of its three-knob EQ section, the Red offers a plethora of heavy distortion tones — spanning stoner rock to blackgaze. The texture switch lets you select between two different clipping diodes for either a more compressed tone ideal for lead playing or a more open sound that sits on the hot side of an overdrive.

Over 30 years in production, an unchanged build, and used by the likes of Kurt Cobain and Steve Vai — the Boss DS-1 is the granddaddy of distortion pedals.

No matter where you set them, the pedal maintains its tight, compressed and bold voice. The DS-1 is also a practical option for beginners taking their first steps into the daunting universe of pedals.

Sonically, the DS-1 is known — almost notoriously so — for its high compression that covers up errors in your technique with more gain, resulting in less detail but ultimately more sound. The Super Badass has a broad gain range, too. Keep the distortion low and output high, and the pedal flirts with boost to overdrive tones. The Old Blood Noise Endeavors Excess takes the unctuous 80s concoction of chorus and distortion, and sends it through a haunted eight-track.

You can choose between a chorus and slapback delay to chain up after the distortion, run in parallel or engage an independent effect. The chorus has editable parameters for rate and depth, and the delay for time and feedback. With the chorus or echo set at tame levels and stacked after the distortion, you can nail those lush tones from the 80s.

Image: Digitech. Simple to operate, the pedal features four controls: gain, volume, and low and high knobs for shaping your EQ. The pedal operates on 9V, though you can run it on 18V for an increased headroom. Image: Strymon. The main controls are simple enough — gain and level, a three-band EQ, and two switches to control gain structure and frequency push.

But what truly counts lies under its hood. Riverside marries the dynamic sensitivity of an analogue JFET circuit with the control of a custom DSP to produce responsive, rich distortion.

The nuances that come from this A meets D approach are plenty. It was designed in collaboration with amp guru Bruce Egnater of Egnater Amplification fame. In a nutshell, this stomper is like the shredding channel your amp never knew it had. It also has a footswitchable boost with independent level and gain controls. Gain levels go from medium to high and beyond, but this pedal is not just some renegade. The aforementioned boost circuit gives this pedal an added usefulness too, with its independent controls allowing you to dictate just how much volume and intensity you want to add to the dirt.

Check out our full review here. Check out our other lists for reverb , overdrive , fuzz and multi-effects pedals, too. Limp Bizkit Still Sucks is the name of their new album. Electro-Harmonix introduces the Intelligent Harmony Machine with up to two harmonised voices on tap. Four hair-raising tales from the dark corners of guitar history. Fuzz Was The Future: Distortion was destiny. Electric Guitars. Buyer's Guides. Essential Guides. DIY Workshop.

All Advanced Beginner Intermediate. Chord Clinic: Learn to play 10 interesting E major chord variations. Learn to play guitar like Chuck Berry in five minutes. Chord Clinic: Learn to play 10 interesting A minor chord variations. Learn to play guitar like Lindsey Buckingham in five minutes. Guides Buyer's Guides.

The best pedals to buy in 20 best distortion pedals. By Guitar. The November issue of Guitar Magazine is out now! Read More. The October issue of Guitar Magazine is out now!

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10 Essential Guitar Pedals For Grunge and Alt Rock

Your purchases also help protect forests, including trees traditionally used to make instruments. Digitech Hot Rod Rock Distortion. Listings Price Guide Reviews. Featured Listing. Buy Used. Preferred Seller.

BEHRINGER BOD BASS OVERDRIVE AUTHENTIC TUBE SOUND EFFECT PEDAL DIGITECH DOD BONESHAKER - DISTORTION PEDAL W/3-BAND PARAMETRIC EQ. $

Hard & Heavy – The Top 7 Best Distortion Pedals


Phone Number. Master Controls the output volume level. You can adjust Red Rox to the same volume as your bypass signal unity gain or volume it up for a whole lot fatter tone - there is plenty volume on tap! Contour Controls the frequency emphasis overall. In the middle position is a balanced presentation of the overall frequencies; clockwise it becomes midrange pronounced and counterclockwise it becomes midrange scooped. Contour control enables you to scoop the mids for fatter riffs or you can push the mids to cut through the band mix. This means you won't have to use an EQ pedal after your distortion to dial in a soaring lead tone. Tone Controls the frequency emphasis on the highs coming out of the distortion section.

Distortion (music)

rock distortion pedal

Read and rock on. Capable of delivering everything from a warm, gritty edge to a full blow growl, these pedals are the weapon of choice for recreating the tone from your favourite guitarist, whether blues rock or black metal guitarist, or smithing your very own sound. Looking for something even more distinctive? You could try Flanger Pedals - click here for our full guide.

Whether hair bands, speed metal, post-grunge, nu-metal or even the bizarre pop-rock mixes of the s The Three Doors Downs and Nickelbacks of the world , heavy gain and distorted guitars have been almost a given. The generations of guitar players that grew up during those decades have depended on distortion and high gain as a staple of their playing style.

7 Best Distortion Pedals For Bass Metal Guitar & Rock 2021


Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain , producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar , but may also be used with other electric instruments such as electric bass , electric piano , and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube -powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly , a number of other ways to produce distortion have been developed since the s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock , punk rock , hardcore punk , acid rock , and heavy metal music , while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as " SoundCloud rap ". The effects alter the instrument sound by clipping the signal pushing it past its maximum, which shears off the peaks and troughs of the signal waves , adding sustain and harmonic and inharmonic overtones and leading to a compressed sound that is often described as "warm" and "dirty", depending on the type and intensity of distortion used.

The best pedals to buy in 2021: 20 best distortion pedals

JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Distortion definitely has its place in music and with the right pedal you can turn a fairly average tune into a living, breathing entity that absolutely screams or really bring out the best in your guitar solos. However, the choice is not an easy one to make. So today, we're going to look at our top 7 best distortion pedals spanning a wide range of sounds and playing styles so you have a better idea of where to start on your journey to distortion Valhalla! In this blog about the best distortion pedals, we've rounded up what we think are 7 of the best options including:.

3 – Wampler Sovereign Distortion Pedal.

We all need some distortion every now and then. The only effect less compromising than fuzz is distortion. Hard-clipping a guitar signal can be done one of two ways - with a distortion pedal, or a guitar amp set to ear-bleeding levels.

From doomsday devices to versatile dirt boxes, we pick out 20 essential distortion pedals for the modern guitarist. Image: JHS. Developed in a special collaboration between JHS and the shred-maestro turned blues-aficionado, Paul Gilbert. Whatever setting you dial in, the stompbox offers a natural, responsive and articulate tone that captures your playing style, warts and all. The Dark Matter, according to TC Electronic, is meant to sit between heavy overdrive and light distortion. At lower gain levels, it emulates those old-school classic rock tones that issue out of cranked-up tube amps.

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Music Industry How To is supported by readers. Distortion pedals, specifically, can help you achieve a raunchier, heavier or dirtier tone on the fly. But first, if it's your aim to do music professionally, you'll want to check out our free ebook while it's still available:. For those who want to achieve a positively huge tone. The Bass Big Muff can give you anything from a little extra crunch all the way to full on fuzz. The Volume, Blend, Tone, Sustain and Gate controls give you full control over your tone, how pronounced the effect is, how much hum and noise you want to cut out and more.

A distortion pedal is often the first stompbox a new guitar player will look for when they want to change their sound. The right pedal can turn a dud of a guitar amp into a tone machine, and make a great guitar amp sound even better. Even veteran guitarists recognize the value of having a good distortion pedal in their signal chain. There are hundreds of choices out there, and not all distortion pedals are created equal.




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  1. Odel

    It is a valuable message