Kef speakers sydney
KC62 is an incredibly compact subwoofer that delivers the might and magic of deep, accurate bass for a thrillingly immersive music, movie and gaming experience. Deep and powerful bass is no longer solely the domain of big-shouldered, massive subwoofers. KC62 is David to their Goliath; an ultra-compact subwoofer capable of delivering accurate, deep bass for an immersive music, movie and gaming experience at complete odds with its modest dimensions. Craving an immersive entertainment experience but put off by bulky subwoofers?
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- Bookshelf Speakers
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- KEF speakers: massive price tag, naked woman not included
- KEF Speakers
- KEF LS50 Meta (Pair)
- KEF Speakers Australia
- KEF LS50 Wireless II review
- KEF LS50 Wireless II | Active Bookshelf Speakers
- KEF revives its “Reference” speakers, we go ears-on
Bookshelf Speakers
The KEF Blades are gorgeous looking speakers. The statuesque enclosure stands mm high and measures mm deep considerably taller than my eight year old daughter and weighing in at 57kg they take a little effort to manoeuvre into position. The tricky part is installing the spikes. That really is a job for two people. Since its early days nearly 60 years ago, KEF has always applied innovative engineering to its speaker designs. One only has to look at iconic designs like the Reference and the Each driver pair is mounted in a separate bass enclosure to reduce internal standing waves and alleviate the need for lots of internal damping.
For the cabinet material KEF selected glass reinforced composite material which is very inert and is extremely rigid. This is aimed at removing secondary radiation anomalies.
The midrange itself is mounted in a separate enclosure which is again decoupled from the main cabinet. Last but not least, KEF has employed simple low order crossovers in the Blade using the best components available. The components are carefully selected by a rigorous auditioning process so that every part of the signal path is fine-tuned for maximum clarity.
Further, all the crossover components are hard wired to optimise both sound quality and reliability. Crossover points in the Blade are at Hz and 2. The Blades are capable of moving a bit of air and can achieve a maximum SPL of dB peak at 1m with pink noise. Distortion a rarely published specification for loudspeakers is impressive with 2 nd and 3 rd harmonics 90dB, 1m quoted at less than 0.
Once upright and on their spikes, positioning the Blades was a relatively easy task. KEF has paid thoughtful attention to the details including levelling bubbles in the base of each speaker — a blessing really as it would have been a nightmare trying to balance a level on the enclosures smooth curves. Also impressive, is the addition of screw-in linking plugs serving the LF and HF binding posts which alleviates the need to muck around with jumpers if you are not going to bi-amp the speakers.
After a couple of days of experimentation, I settled on a placement of mm from the front wall and mm from each side wall. This seemed to give the most natural and balanced response in my room. Unlike the last speakers to grace my listening room the Blades were not run-in so I spent the best part of two weeks putting around hours on them. I used a combination of pink noise during the day and an assortment of electronic music at night while I slept.
Along the way I noticed incremental improvements notably in the speed of the bass and the treble which really opened up. Towards the end of the break-in period, there was an obvious increased in front-to-back depth which made the long period well worth the effort. As always, I used a variety of different styles of music to assess the Blades. This track, with its growling bass lines, on large speakers, in a suitably sized space, at the right volume triggers a similar response you get when you enter a club.
These classy RNB tunes feature drums that are powerful, deep and tight — well suited to the Blades character. More than just a hauntingly beautiful piece of song writing, this piece offers a rich musical soundscape which traversed and allows you to hear subtle details such as the resonance from the body of the acoustic guitar, with its strings being almost palpable. The darbuka a goblet drum hailing from north Africa and the Middle East was full-bodied and dynamic alongside the percussion which was portrayed with precision-like attack.
Elsewhere in the mix, the Blades clearly delivered the sensation of the changing pressure of the bow across the strings of the fiddle. Focus is maintained even on fast strumming sequences. It was at times surprising how much deep bass is produced at low volumes. I waited until after dark and turned off the lights to enjoy this beauty from my library. And when you have a pair of KEF Blades to listen on, it becomes an even more compelling proposition!
If I had any criticism it would be that the horns were just a bit too smooth, but this was as I was coming to realise a hallmark of the KEF voicing. Drums sounded authentic, cymbals shimmered as they should do, the Blades energizing my room with a thunderous bottom end on this piece. On the Blades, vocals are beautifully presented with a richness and fullness, seemingly unfettered by the enclosure. This is a musically rich and complex album and the Blades unravel it with aplomb, never sounding congested and allowing you to absorb all the subtleties and textures.
Her sultry voice was rock-solid, with realistic height and dimensionality. What a rush! At concert level volume the sound was close to terrifying! Guitars screamed and the slightly thickened bass, which I was acclimatising to from the Blades, added extra punch and body blows to the drums. The Blades created an impressively deep, wide and natural soundstage.
Being a particularly good recording, I began to feel that the sound was perhaps slightly smoother and a shade cooler than what I was used to, yet the overall presentation was so damned enjoyable and never fatiguing. The RR version sounds good on most systems but can sound truly stunning on the best systems. The space within the venue, the depth of soundstage and sense of distance can be surprising.
Here on the Blades the bass drums were taut and powerful but with texture and detail that is rarely captured. The percussion and brass also powerful yet naturally composed without ever sounding piercing. I listened to this piece several times, each time experiencing and enjoying it more than the last. I love the look and feel of the Blades. I struggled to find a position which would allow them to perform at their best and in the end I moved them as far as I possibly could away from room boundaries and landed at mm from the front wall, mm from the side walls, mm apart and mm from the listening position.
When I reinstated my usual reference speakers they no longer seemed to sound quite as gorgeous as I was used to — and it is this that I think is the true strength of the Blades. They may not command your attention in the same way as other speakers in their league do as they have quite a relaxed unpretentious sound.
A technological powerhouse The statuesque enclosure stands mm high and measures mm deep considerably taller than my eight year old daughter and weighing in at 57kg they take a little effort to manoeuvre into position. Conclusion I love the look and feel of the Blades.

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KEF speakers: massive price tag, naked woman not included
It was for us. Nevertheless, Miles played the Hilton this week in Sydney, while this writer brought himself back from the cold and wet. In fact, back in the 70s KEF was one of the first loud speaker companies to use computers to help it design speakers to be more accurate, a process that has continued to this day, even developing its own software to assist. To assist with this, a dampening material has been installed in the speaker, separating the braces and the cabinet to help eliminate vibrations. This was more than just another recreation, this was perfection. Samsung Galaxy Watch 4 — is it fit for fitness? Apple AirPods 3 — the ace of bass review. New Qualcomm chips reshape the mid-tier smartphone world.
KEF Speakers

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KEF LS50 Meta (Pair)
The multi-award-winning LS50 Wireless speaker system set the bar high for high-performance wireless speakers, and in the same spirit of invention and innovation that created the original, the LS50 Wireless II also called Wireless 2 is much more than just a new generation. The result of three years intensive research and development, the new KEF LS50 Wireless II is a fully active wireless stereo speaker system that delivers pristine, KEF signature sound coupled with great usability and high-performance wireless capability. LS50 Wireless II has been built on a whole new acoustic platform, the LS50 Meta passive loudspeakers , while the brand-new wireless platform has been engineered from the ground up. Active electronics, Digital Signal Processing DSP , wireless streaming platform and the new KEF Connect app all combine to set a new benchmark of class-leading acoustic and user experience. Upon first listen, it was evident that KEF had taken everything that was great about the Gen I and improved on it in almost every way.
KEF Speakers Australia
A May update to this post can be found here. Months passed and as the reviews tumbled down my professional interest began to wane. How could I further advance a conversation that was already bursting with accolades? Drivers : 5. Ahead of this LS50 coverage proper there would be a minor de tour.
KEF LS50 Wireless II review
A design combining superior operability and beauty. And introducing a new technology, Twisted Flare Port, for clear and tight bass. A subwoofer that will match a wide range of speakers and interiors. The ideal choice for audio connoisseurs, the PMN includes high-grade audio components, Marantz own HDAMs, a toroidal transformer and a high-speed instantaneous current power supply.
KEF LS50 Wireless II | Active Bookshelf Speakers
Hall of Fame entry — and it has every right to be. But not only are the new LS50 Wireless II speakers untethered, they also come with a new and improved app. They have been designed to squeeze even more performance out of the familiar chassis and Uni-Q driver arrangement through the introduction of a new KEF innovation called Metamaterial Absorption Technology MAT. Physically, this technique sees a round piece of plastic with a maze-like structure placed behind the tweeter.
KEF revives its “Reference” speakers, we go ears-on
Having identical technology and the same coaxial module three floor speaker systems of the family differ from each other only by the sizes of LF speakers: 13 cm in younger model , 20 cm in older Q and To the list we now have to add the Revolution XT 6F, which performs much better than it's any right to. A pair of identical heads with mm diffusers made of pressed pulp plays the lower part of the range. Bass-reflex design is used here, but airy port has the form of chink which differs by minimal turbulence. Cinematic Experience Audio is a powerful component of the cinematic experience; it envelopes you in the action, tugs at your emotions, and brings an unparalleled level of enjoyment to Elac Debut 2.
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