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Jazz telecaster players

Since the early s, she has taught guitar at Berklee, and watched her piles of exercises, etudes, and examples grow, piling high. But her hope has been that her process of organizing many of them and publishing them in a book Introduction to Jazz Guitar Berklee Press, , will help her tidy things up. For now, though, I am grateful that she took a few minutes to answer some of my lingering questions about playing jazz guitar. JANE: The biggest difference is the improvised nature of jazz. A player can have a plan in folk or rock and pretty much stick to it, often committing the performance to memory the way a classical player does.


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WATCH RELATED VIDEO: Mike Stern on Working with Miles Davis and Playing a Telecaster in Jazz

The Cult of the Telecaster


Not too long ago Julian Lage put out a lovely little record called Arclight. You had just got it the last time you stopped by…. Julian Lage: Right, right! I love that guitar. My God, it is really… it teaches me a lot about how to get better. FJ: That was my next question. It did seem like, even when you were on the bridge pickup, it tended kind of dark.

I was wondering if it was the amp or the guitar…. I need to be really clear with my ideas or else it just sounds… small. We have a couple of them at the house. JL: I think it was that one for part of it. I noticed that you and Bill both basically had a tuner and a [Strymon] Flint for your setups….

The only difference is he actually used his tuner — I forgot to [laughs]… but I love the Flint, as far as reverb goes. It really is glue…. That technically is what it can do… it can massage those lines, rather than leaving a tail of reverb. The Strymons are great. I brought a second acoustic and I switched to it during a song and it was cool to me, but what I realized was, I felt like, from a listening perspective when I switch it was almost like a reminder that it was a guitar and not a speaking voice.

I have a funny relationship with those things. JL: Oh, no. The Flint I only use with electric. I never knew there was an equivalent until we went to this studio, Brooklyn Recording , and they had it. I really love it. Were you surprised at all? Keys are funny to me. I feel a little less sensitive to them than others. Matt Munisteri, for example, I think of him, and John, too, for that matter — I just happen to know Matt more, as a close friend — but Matt is so sensitive to the origin of this music.

There are certain keys that are brighter than others. F is perfect for that song. Not to say I know it in other keys, but that felt great from a resonance point of view. JL: [Laughs] Nooo… Not at all! Personally, I think it all kind of sounds the same at the end of the day. With the Tele I have to slow down so much more than most guitars. I liked that, that people could expect one thing and maybe be surprised and satisfied by another. It almost put a pressure on me that I like.

I like that people have expectations. And then: the Telecaster is so cool , it is so hip. Scenes from the Fretboard Summit. Search for:. Brian K.

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Fender Parallel Universe Jazz-Tele: Love it or hate it?

The collection stems from a challenge Fender gave to each of its Custom Shop Master Builders — to build a guitar with "no boundaries. Inspired by his love of b-bop jazz guitar and classic Tele design, Fender's Chris Fleming Jazz Telecaster features a semi-hollow mahogany body with a tortoiseshell bound spruce top, a custom-designed and machined Fender Jazz Tailpiece, a Tilted Snake Head headstock, and Brazilian rosewood custom wood appointments. Sonically, it sports a single humbucker pickup and volume control, with the goal of matching an archtop feel with the look of a Telecaster. A collaboration with L. Having built a few acrylic Strats over the last couple of years, Scott Buehl decided — after a number of requests — that it was hight time to build an acrylic offset model: the Fender Scott Buehl Acrylic Jazzmaster. Given the increased weight, Buehl routed the entire pickguard perimeter clear of the acrylic, keeping the guitar relatively light acrylic is much heavier than wood.

Buy Fender Parallel Universe Limited Edition Jazz-Tele Electric Guitar Surf Fender Player Stratocaster Electric Guitar - Maple Fingerboard - Black.

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When discussing the greatest jazz guitarists of all time , we tend to centre the conversation around heroes of the past. Of course, whilst they all had their own part to play in defining the role of the jazz guitar, and indeed setting the bar for what could be achieved, jazz has continued to develop, with innovations in composition, harmony and technology paving the way for new generations of guitarists, and their unique voices. From straight-ahead to avant-garde, blues guitar to fusion, the influence of these modern-day greats can be readily observed at jam sessions and clubs all over the world. We strongly urge that you check out their recommended listening, better yet — go out and see them live! Universally respected amongst his contemporaries, Peter Bernstein has been a vital part of the New York jazz scene, as well as overseas, since Bernstein can also be found performing in a solo setting, or leading his most recent quartet alongside Sullivan Fortner piano , Joe Farnsworth drums , and Peter Washington double bass. Flawless bebop lines are punctuated with dazzling chordal work, as the guitarist demonstrates both the depth of his virtuosity and his endlessly creative spirit.

Telecaster for Jazz – Is it a Good Guitar for Playing Jazz?

jazz telecaster players

Koch's red-hot hybrid-picking lesson. A musical giant, then, in all senses of the word, he goes on to talk us through the history of his playing, his love for the Telecaster, and what a player like Greg looks for in a signature amp…. Even from when I was a very little kid, I just thought he was the coolest individual. I did a report on Jimi when I was in third grade.

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Jazz Guitar: Interview with Jane Miller


The guitar is an integral element of jazz, breathing melody, color, and rhythm into the music. When I think of jazz guitars, the first image that springs to mind is the bulkier designs of semi-hollow and hollow body models. The Telecaster is commonly linked to genres such as blues, country, and rock. Nevertheless, it boasts a surprisingly rich history of being intertwined with the smooth, irresistible sound of jazz guitar. Squier Classic Vibe '50s Telecaster.

Les Paul, Stratocaster or Telecaster – Which Is The Best For Jazz?

A warranty can be a very important factor when making a buying decision. Some products i. Consumables i. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use.

We spoke with jazz guitarist Julian Lage about pickin' I think, of the Blackguards I've played, it's a little bit darker than a lot of.

Remembering Ed Bickert, Who Helped Turn the Fender Telecaster into an Expressive Jazz Voice

Which one of these three is the best one for playing jazz music? Jazz has been around from as early as the 19th century. It came as a result of the intertwining of African slave folk songs and American classical music. Although jazz has been around since then, the jazz guitar style has only been around since the s.

List of Telecaster players


Not too long ago Julian Lage put out a lovely little record called Arclight. You had just got it the last time you stopped by…. Julian Lage: Right, right! I love that guitar.

Without the existence of the Fender Telecaster would have made music as we know it impossible. The Telecaster has been the instrument of choice for many iconic players over its nearly seventy-year life - however, we know that some have dominated it better than others.

Fender Parallel Universe Jazz Tele RW, 2 Tone Sunburst Ex Display

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When I think of the most common guitar for playing the smooth and silky sound of jazz. I recall the familiar shape of the bulky hollow-body and semi-hollow body guitars. When it comes to the Telecaster however, the usual heavyweight in the rock, country, and blues category. That got me thinking….




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