Line 6 412 cabinet

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• 4x12 Guitar Cabs
• Line 6 Spider IV 4x12 Slant Cabinet Padded Cover
• Line 6 Spider V 412 CAB MK II Guitar Cabinet
• REVIEWED: LINE 6 SPIDER V 240HC HEAD AND V412 CABINET
• Line 6 Announces Spider V MkII Guitar Amplifiers and 412 Cab
• LINE 6 Spider V 412 Cabinet MKII
• Line 6 DT50 Head & DT50 412 Cabinet
• Used Line 6 Spider V 412 4x12 Guitar Speaker Cabinet

WATCH RELATED VIDEO: Sharpen the Axe Gear Preview: Line 6 Spider V 240 HC

4x12 Guitar Cabs

Could the days of lusting for boutique amps be coming to an end? Players seeking the coveted Bogner Ecstasy tone can now obtain some of that sound in a package that offers tremendous flexibility and fantastic tone for less than half the price of his name-bearing weapons of mass destruction.

We have marveled in reviews over the past few years how Line 6 transformed itself from a company making products for the masses they still do, of course to a company making professional gear desired by the pro musician and snobby tone connoisseurs. Fans of EL based tube amps will welcome the flexibility that this amp delivers, ranging from high-headroom cleans to slightly overdriven classic tone to full-on modern metal assault, and it also provides some fantastic integration with dedicated Line 6 modeling products in the HD series.

But fans of 6L6-based amps may find some characteristics of the EL design a bit harsh sounding and less to their specific taste. The two-channel, 50 Watt, DT50 head starts with a Reinhold Bogner-designed, all-tube amplifier that includes two 12ax7 preamp tubes and two EL power amp tubes.

Toggle switches on the amp let you select between Pentode and Triode mode, and a Voicing switch delivers some significant tonal variety:. II: British setting, looser feel than mode I Marshall. III: Open sounding, chimey response Vox. IV: High-gain optimized Bogner. We love that both channels are identical in their layout and control, so you can mix and match settings however you want, whether you want to have two vastly different sounding tones or have two channels of one specific style of tone with only a few subtle differences dialed in.

This is not a modeling amp in the traditional sense, but it does incorporate some cool Line 6 technology to make the amp a more useful tool. Modeling technology is seamlessly blended with analog circuits to enable the wide variety of tones and amp response to occur, and what is especially unique is that the application of the modeling technology is applied in a new and innovative fashion. In normal operating mode, modeling technology supplies the preamp and tone stack circuitry, but the power amp relies upon the EL output tubes for tone definition and response.

Although the amp has two 12ax7 preamp tubes, these are primarily used for generating appropriate internal signal levels and to enable the phase splitter to interface with the power amp.

That said, however, the first preamp tube does affect the distortion characteristic in different ways based upon the preamp voicing selected. Power amp tube modeling is added in this operating mode since it would be otherwise impossible to push those big EL power tubes into a non-linear, saturated response without adding a power attenuator to your rig. This is some serious innovation at work!

On the rear of the amp, in addition to the obvious speaker connection points all the typical options for various speaker cabinet types , there is a cabinet-simulated output for direct recording or interfacing with a PA system. Being able to instantly change your tone from Class A to Class AB or Pentode to Triode at the touch of a footswitch or even select among the four voicing options makes hands-free sonic experimentation quite easy, and gives you direct access to a huge variety of tones in the live setting.

When connecting one of these modeling effects processors to the DT50 and selecting an HD amp model, the DT50 dynamically reconfigures the power amp within the DT50 to provide the best matched topology for your tone. Construction features ply poplar, and recessed handles and casters round out the vintage-looking, straight-front cabinet.

But the real excitement is what lies inside: a pair of Celestion G12H90 speakers and a pair of Celestion V30s rated at 8 ohms arranged in an X-pattern. From the start plugging in your guitar, the DT50 comes equipped with two inputs — High and Low. This gave us the ability to mix and match guitars in accordance with their pick-up configuration whether we were using humbuckers, single coils, or active electronics.

The control knobs are your typical black knobs with a white mark on the face to indicate position settings, making it easy to see and make adjustments at a glance.

All selector switches are large toggle switches making it simple to get a hold of — not like those mini toggles found on many amps that are hard to navigate and see where they are positioned. With these switches, the functions we selected were illuminated with backlighting on the face of the amp to show which option was engaged.

This made it easy to see our settings, especially on dimly lit stages. This also holds true for all control knobs and their functions — the lettering is all backlit to provide easy reading at all times — love it!

The DT50 provides two channels, A and B. Our favorite knob on the DT50 is the Master control knob. Silly, we know, but this dual-function knob has a push pull function that significantly reduces the output volume of the amp for bedroom practicing while relying on modeling technology to preserve your tone and amp response.

We found this control to be very responsive in low settings as well as full throttle settings. Just be careful not to accidentally push the knob back In while the kids are sleeping.

Players with MIDI foot controllers will have no trouble controlling the various features of this amp from their rigs.

The series effects loop worked well, and the input level control was enough for us to use the loop effectively with either rack gear or a pedal. However, there was no function to bypass the loop. This very solidly constructed cabinet included such attention to detail as having casters mounted on removable latch plates. Now if only there had been a stereo connection option for the cab, that would have taken things completely over the top.

The Line 6 DT50 Head and matched 4x12 cabinet provide a wide array of great sounds, and in a first-time-for-everything play, we didn't even realize that the 12ax7 tubes had nothing to do with our tone. That is some real evolutionary progress in the modeling world. Both of these guitars deliver a wide array of humbucking and split-coil tones.

Line 6 suggested this as the best configuration for Mode I, and after exploring all the possibilities, we agree with them. The tone did get a bit harsh at times, in that special way that players who love 6L6 tube amps complain when they play through EL amps like this.

In the Triode setting, Mode I lost its snap, but had a rounder, softer tone that some of our editors preferred. Switching to the lower powered Class A mode further thinned out the tone — definitely stick with AB for Mode 1, which delivers more headroom, anyway. Powering up the amp in Mode I, one of the first things we noticed was the presence of some hiss and hum. This is a nice crunch tone channel, but when we pulled the Master knob to play at bedroom volume, the tone took on a noticeably fizzy sound.

Switching to Triode mode made this voicing even creamier, and the tone took on more of a classic Hiwatt tone. Dropping down to Class A while still in the Triode setting delivered more of an overdriven Fender tone. When we switched this to Pentode, more presence in the mids was obvious, and at least one editor noted the Bassman tone.

Overall, this voicing had the most modern crunch sound of the options. In general, the tight response of this amp lends itself to more accomplished players with good technique. Switching to Triode and we could readily feel the squish factor kick into the response.

The amp got quieter, too, but also sacrificed some volume. This is the modern metal channel, and while it nails that Euro-metal chunk tone, the low end is particularly loose. When playing fast legato passages, note tracking was messy, and reducing the gain from 10 to lower settings made little difference. The high-end was a little bit overbearing at times, and switching to Class A reduced the shrill edge of the tone, but some additional detail in the sound was lost.

In general, this voicing definitely pays homage to the Ecstasy tone, and it was a blast to play with. The amp did an admirable job of maintaining note separation in complex chord voicing, and the noise floor was especially well controlled given how much gain was on tap. Further, it cleaned up well when rolling off our volume knobs. Line 6 makes some fantastic sounding effects, so it should come as no surprise that the digitally modeled reverb in the DT50 sounded great.

We especially liked that it delivered spring reverb tone without the metallic clank sometimes associated with physical spring units. This is definitely more amp than you need for a typical bar gig, but if you crave a taste of Bogner high-gain tone paired with some nice classic rock tones, you can get more than half-way there at far less than half the price.

Vinny is an accomplished, young player who worships the band Porcupine Tree and its guitarist Steven Wilson, who plays through vintage Marshalls and Bad Cat amps. This amp is definitely not just for the classic rock and Euro-metal fan!

In comparison sitting next to our Bogner Ecstasy Anniversary cab, they even look to be modeled as twins. If you seek an off-the-shelf cabinet with an X-pattern speaker configuration, the cabinet is certainly worth considering on its own merits for both sound as well as its quality of construction.

These are good prices for obtaining Bogner-esque tube tone in a two-channel amp with a decent mix of features. The cabinet is a very solid, professional choice to match, and it would be a worthwhile for use with other amps, too. Derek Davodowich, Senior Editor, is a professional guitar player, Berklee graduate, and guitar instructor located in New Jersey. Sign up for our newsletter.

Features The two-channel, 50 Watt, DT50 head starts with a Reinhold Bogner-designed, all-tube amplifier that includes two 12ax7 preamp tubes and two EL power amp tubes.

A series effects loop on the rear has a dedicated level control for the Return. We appreciated that both the power and standby switches were located on the front of the amp. Sound The Line 6 DT50 Head and matched 4x12 cabinet provide a wide array of great sounds, and in a first-time-for-everything play, we didn't even realize that the 12ax7 tubes had nothing to do with our tone.

Contact Information Line 6 www. Tags Cabinet amp review amplifier Bogner cabinet Dt50 Fender guitar amp head Line 6 marshall modeling review tube amp vox. Related articles. You might also enjoy.

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Line 6 Spider IV 4x12 Slant Cabinet Padded Cover

Messages: Likes Received: Im stapped for cash at the moment, so id like to just use the cab i already have but if it wont work out the way i wish it would, ill just hold off and get a cab with a head later on. Korngod , Nov 13, Messages: 87 Likes Received: 8.

Line 6 Spider V 412 CAB MK II Guitar Cabinet

Vht 4x The Deliverance cab is designed to sound better close up, whereas the regular VHT cab's sweet spot is further back. I like full, regular sized Marshall cabs. Joined Dec 31, Messages 1, Reaction score Compared to the VHT, the mids are fairly smooth. I noticed that both have a stereo input Jack. The watts simply add up to give you your cabinet wattage. Widely known as the man who started VHT Amplification in the late s, he was responsible for one of the first 3-channel tube guitar amplifiers, the aggressive Pitbull line of amps, and a pair of incredibly popular all-tube, rack-based power amplifiers. Includes full manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.

REVIEWED: LINE 6 SPIDER V 240HC HEAD AND V412 CABINET

Could the days of lusting for boutique amps be coming to an end? Players seeking the coveted Bogner Ecstasy tone can now obtain some of that sound in a package that offers tremendous flexibility and fantastic tone for less than half the price of his name-bearing weapons of mass destruction. We have marveled in reviews over the past few years how Line 6 transformed itself from a company making products for the masses they still do, of course to a company making professional gear desired by the pro musician and snobby tone connoisseurs. Fans of EL based tube amps will welcome the flexibility that this amp delivers, ranging from high-headroom cleans to slightly overdriven classic tone to full-on modern metal assault, and it also provides some fantastic integration with dedicated Line 6 modeling products in the HD series. But fans of 6L6-based amps may find some characteristics of the EL design a bit harsh sounding and less to their specific taste.

Line 6 Announces Spider V MkII Guitar Amplifiers and 412 Cab

Turntables and Accessories Acoustic Treatment. Ukuleles and Accessories Cellos Violins and Accessories. Qty Add to My Shopping Cart. Quantity Available: 0 Availability: Usually ships within 2 to 5 weeks. Specs 4 x 12" custom Celestion speakers Closed-back cabinet. Terms and conditions By browsing the website musiquegagne.

LINE 6 Spider V 412 Cabinet MKII

Loaded with a quartet of great-sounding Celestion speakers, this amplifier cabinet delivers classic tone and excellent projection. Its closed-back design yields ample midrange chunk and low-end punch. It usually takes only working days for the item to be safely delivered to your doorstep. Self-collection and Lalamove local delivery is available as well! Sorry, self collection is not available during MCO , Fasa1.

Line 6 DT50 Head & DT50 412 Cabinet

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Used Line 6 Spider V 412 4x12 Guitar Speaker Cabinet

RELATED VIDEO: Line 6 Amplifier and Cabinet Connections Part 1

There are two concepts that are unflinchingly important when marrying cab and head. Not only is it sturdy enough to stand on, it also manages to maintain a calm, articulate and adaptable sense of purpose. Given that it is designed to voice one of the most chameleonic amps on the market, the Celestion speakers inside have to stand attentively at the right hand of their leader, ready to change characteristic on a dime. And they do so with the greatest of ease. Stocked high with every amp model in their library, from the tiniest blues combo to the heftiest triple rectifier, you the player are able to flick through as comprehensive a sonic catalogue as has ever been put together. Imitation is, after all the sincerest form of flattery.

Vox Ac The Ac10 is a lot more gainy than the others which made me hate it right off the bat. It's boomy in a way that you can't dial out, and one other thing that bugged me -- you have to remove the back panel to change tubes. The Vox AC10 Custom is an all valve tube combo. The Vox AC30 is one of the most famous amps ever to be produced, with its 15 watt counterpart offering the same great sound, with a lower output. Dating VOX products can be very difficult.

This is a review of the Line 6 DT50 guitar amplifier, but, like most people in Hollywood, instead of telling you about the topic at hand, I'm gonna tell you about me. What can the DT50 do for me? How can it make me look good? In this case, I'm gonna review this amp from my perspective as an engineer and producer - not a guitarist - and how this amp helps me.