Best speakers for indian classical music
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Microphone and Hindustani Vocal Music
This is the continuation of the earlier post about the PA System at Carnatic music venues. This post would make better sense when read as a follow up to the first one. In this section, I will concisely introduce the separate elements of a PA system.
I will also point-out some very generic and fail-proof purchase suggestions. However, these are very flexible given that the market options and prices are forever changing. It is also important to note that proper use of this equipment in a proper space also play important roles in the end goal of good sound.
Typical Components of a PA system : Ordered sequentially based on how sound travels in the chain. It is a device that convert acoustic energy the voice of the singer, for example to an electrical signal. This signal can be manipulated in a mixer, amplified and then sent out to the loudspeaker. There are innumerable types of microphones at different price ranges.
But the type of mics best suited for live music are called Dynamic Microphones. They are physically rugged and can handle loud sources of sound, and more importantly they have excellent sound rejection qualities to prevent feedback. Dynamic mics can further be divided into two broad types: Instrument and Vocal dynamic types.
The purpose for each type is self-explanatory. A good quality dynamic mic can last you decades, even after heavy abuse. For example, an instrument mic has special characteristics that might not suit a vocalist. That causes feedback. Very often, the mridangam bass side is not miced due to the lack in number.
A lot of poor quality mics pick up sound from unwanted directions, and cause feedback problems. By placing it too close to the sound source, the loud parts will seem very loud. It is important to note that there are no absolute rules when it comes to microphone selection. It is an art and skill in itself. And also, there are hundreds of choices available in the market.
But some common recommendations include: Most of these mics cost between thousand rupees each. A stand is a mechanical device which allows the mic to be mounted and positioned in a desirable way, so that the sound is picked up well by the mic.
They come in a variety of sizes, but can be categorized into three categories based on purpose. Full size ones used when standing , medium ones used while sitting on the floor , small ones to capture very low height sound source, like a mridangam.
Stands should be of adequate height. Low height stands often cause the vocalist to need to hunch. Similarly, if the stand used is too tall, it might be visually unappealing and difficult to adjust while seated.
Mic stands is a category for which there are only few options in the market. Check to see if the stands are sturdy and buy. As suggested before, it is a good practice to have a spare stand to use in case of a malfunction. Audio cables are used to connect the mics, speakers, mixer, musical devices etc. Cables are an often overlooked component in the PA setup. Proper use of cables is equally easy to achieve or neglect, and the result either case can be dramatic.
Apart from proper use, the thoughtful presence of cables in quantity and type is also important. Cables come in two broad categories, balanced and unbalanced. If the mic cable has XLR connectors like the one on the right, it is most likely a balanced cable. More and more artists carry amplification devices for their instruments or electronic tamburas, which they would wish to connect to the mixer.
Look into the over-under technique of cable wrapping. Use speaker wire of proper gauge. Understand the difference between mic level, line level and speaker signal; and use adequate cables accordingly. But the cable itself might still be very usable. An audio mixer is a device that allows one to combine multiple audio signals into a unified output that can be sent out to the loudspeaker.
Importantly, it allows us to manipulate each of the individual audio signals as desired. The mixer is arguably the most important component in shaping the output sound. Using the mixer is a skill in itself , best understood by live sound engineers.
But with some effort, the basics of live sound mixing can be learnt by amateurs as well. A typical mixer offers us many input and output options for shaping what kind of sound we want. As mentioned earlier, using a mixer is a skill. So directions to use a mixer is beyond the scope of this particular guide. So I will have to come up with a separate guide for mixing as well. When the unexpected problem arises, you should know how to fix it. For example, if you want to alter the sound of the vocalist, you should know exactly what channel knobs to turn.
I would recommend at least 8 microphone inputs. That way when they need arises, more microphones can be hooked into the mixer.
What the audience wants to hear is different from what the artists want to hear on stage. Loudspeakers are components that convert an electrical signal into acoustic energy. As the name suggests, they produce sound at loud enough levels so that the entire audience can hear the sound sources.
Loudspeakers come in two primary varieties:. Here is an analogy. You have hundreds of combinations to choose from, and have to make sure that the engine is able work together with the car in many respects.
They just want a vehicle that they can drive that gets them from place to place. Buying a passive speaker is much the same. You need to understand basics of electrical measurements like power rating watts , impedance values ohms , distortion, wiring techniques, etc. Most lay people find this complicating, and it actually is. It is far simpler to buy a Powered Loudspeaker that comes inbuilt with the amplifier and crossover, decided appropriately by the manufacturer. Using a powered speaker is no different than using computer speakers.
You just plug in the audio signal and power cable, and turn on the speaker. Stage monitors or floor monitors are speakers for the performers on stage so that they can hear themselves. Like in the case of the loudspeakers for the audience, it is best to use a powered monitor speakers to keep things simple and reliable.
Use only speakers specifically manufactured for the purpose of monitoring. So that concludes the PA System Guide. Despite my efforts in keeping things simple, there is quite a lot of material to be aware of, such is the nature of live sound. I am helping to host an event for my church, and we are wanting to get a PA system.
But none of us our experts in this area, and are wanting to know what we need to get. That is something that I would not have thought about getting, but it makes senses to do so. Very useful, thanks what mic would you recommend for violin not attaching physically to the violin, but to a stand. I believe SM57 is more suited for Mridangam and drums and not for violin.
The SM57 would make a fine microphone for the violin. It has a better response than a SM I find that condenser mics have a flat response in general. That said, so many mics could work for the situation.
Ribbon, condenser or dynamic mics. Your email address will not be published. This site uses Akismet to reduce spam. Learn how your comment data is processed. Powered Loudspeaker. Alex Dean. Leave a Reply Cancel reply Your email address will not be published. Archives April March Microphone Instrument cables from an amplified violin for example Line level sources like MP3 players, smartphones Effects processors.
Best Speakers for Classical Music in 2021 [Comprehensive Guide]
W hen choosing speakers, the big consideration used to be whether to opt for floor-standing or smaller bookshelf designs. The speakers are both plugged into the mains and remain connected by audio cable. Most active speakers are bookshelf, but some good-value floorstanding designs are available from Audio Pro audiopro. The benefit of active speakers over single all-in-one wireless ones is the scale of the sound. Carefully positioned stereo speakers sound better, offering a wider, deeper soundstage. Software from brands such as Sonos sonos. If you just need to replace your worn-out hi-fi speakers, remember that bookshelf speakers should never actually be mounted on a bookshelf or even pushed up against the wall.
Musical Masala
October 12, Affiliate Disclosure: When you buy a product via our links, we sometimes earn a referral fee. Learn more. An orchestra needs to stretch out in a realistic space, with violins on the far left, double-basses on the right, brass, and timpani usually in the back row, and everybody else in their correct places in between. A violin or a piano should sound like it physically appears in a room, a singer should seem to be standing in front of you, and a string quartet should fill the space like a tiny orchestra, with the first violin on the left, cello on the right. But maybe the more difficult thing for a speaker to really capture is the dynamic range and musical energy of Classical music. Classical music is almost without exception performed acoustically — that is, without amplification — and yet the difference between the loudest and the softest notes is usually much greater than with rock, jazz, hip-hop, country, electronica, or other genres which normally amplify and digitally process their musicians and instruments. When a great soprano, or a fine Stradivarius violin, changes volume the tiniest amount, it can have an enormous emotional effect — and a speaker should be able to capture these subtle shifts. There are countless other things a speaker must get right to really do Classical music right — the sounds of so many different instruments, the weight and smooth presence of a fine a capella choir, the stunning grandeur of a pipe organ in an old European church.
20 Best Speakers for Classical Music Reviews 2021
Live performance for classical music is always enthralling. Deep bass sounds can be best projected with high-quality sound systems that provide clarity and depth. However, you might not always have the chance to enjoy classical music live. This is where the best speakers for classical music come in handy.
Music studio
I have heard a lot of Indian music on TV and on local community radio and like a lot of it. My problem is that I have bought a few CDs and have found that the sound is often very poor, even on relatively recent releases. Could someone please give me a few suggestions as to what I should buy? I am not interested in female vocal music my non-Asian ears have not adjusted to this style yet. Thanks in advance.
7 Amazing Speakers for Classical Music – Enjoy Full Sound of the Best Classical Pieces
Wireless speakers , including the Apple HomePod mini and the Sonos One , might be all the rage right now, but there will always be those that seek out true stereo sound for a fully immersive home cinema or concert experience. Regardless of whether you're an audiophile or a casual listener, we can all agree that we want our sound to be clear, full, and most importantly, true to the original source. And although the principles of stereo sound might be decades old now, audiophiles far and wide still believe that two hi-fi speakers really are a whole lot better than just one. So, which are the best stereo speakers, and how do you find the ones that are right for you? To make the process easier, we've tested the best hi-fi speakers available now from all the most prominent audio companies out there, including Klipsch, KEF and Q Acoustics.
Attention! Indian Audiophiles
Experience a sense of Moksha through these priceless recordings conceived by some of the exceptional artists putting on unmatched performances from the sphere of Indian Classical music. Presenting a listening guide for the Top 12 Hindustani Classical vinyl albums:. Composed by a trio of Indian classical maestros: Pt.
Classical music usually has a much wider dynamic range than most other styles of music. The tone can almost seamlessly change from deep bass to vibrant treble in a matter of seconds. But, short of attending a live concert , it can be very tricky to fully experience the immersive quality of classical music, especially in a home setting. Edifier RDB. Micca PB42X. Klipsch RM.
Photo: Rupesh Kotecha. The performance is unlike any jazz concert you've ever been to. It starts with the pulsing drone of what Aishu Venkataraman calls a "magic box"—a device slightly smaller than a toaster oven that replicates the sound of a South Indian string instrument called a tampura. Venkataraman, '14, stands at center stage in Dinkelspiel Auditorium, flanked by instruments including a set of Indian drums, a piano, a bass guitar and a standard rock drum kit. She puts a violin to her chin and wanders up and down a Carnatic scale, distinct from any Western major or minor scale.
This is the continuation of the earlier post about the PA System at Carnatic music venues. This post would make better sense when read as a follow up to the first one. In this section, I will concisely introduce the separate elements of a PA system. I will also point-out some very generic and fail-proof purchase suggestions.
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