Stoner rock amplifiers for subwoofers
Fuzz bass , also called " bass overdrive " or " bass distortion ", is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted , overdriven sound, which the name implies in an onomatopoetic fashion. Overdriving a bass signal significantly changes the timbre, adds higher overtones harmonics , increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound characterized by a growling, buzzy tone. Two well-known examples are the Beatles ' song " Think for Yourself " from Rubber Soul , which marked the first instance of a bass guitar being recorded through a distortion unit, [2] and the Rolling Stones song " Under My Thumb ". Album or performance credits for fuzz bass can be found from every decade since then see examples below.
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Stoner rock amplifiers for subwoofers
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- Doom or be Doomed: A Humorous and Practical Guide About Getting Into Doom Metal Music
- Stories - @rockzonestudio.mx
- Sunn 112R 1x12 Combo Amp - 112 R Amplifier - QOTSA Stoner Rock Doom - Classic Solid State Combo
- Doom / Sludge / Stoner Amps
- Goin' Doom: What's the best sludge/stoner pedal for a low-watt amp?
- Session Notes: Tracking Psychedelic Rock
- From the Vault: Klipsch, McIntosh, Altec from the Grateful Dead’s deep Sotheby’s auction
- Celestion G12H-30-8 70th Anniversary
Doom or be Doomed: A Humorous and Practical Guide About Getting Into Doom Metal Music
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You should upgrade or use an alternative browser. How LOUD were the classic rock bands?? Thread starter deltdrum Start date Oct 13, Prev 1 2 3. First Prev 3 of 3 Go to page. Hollywood Jim Platinum Member.
SpareRib said:. Thanks, Jim. I do tune high because of this issue. I want the body of a larger diameter drum tuned higher. I think that's what I'm really after. I already use an uncut reso I will just take out my foam muffling. Really, I just don't like the smaller drum sizes and the 18" deep bass drums drive me nuts sound and space wise. I like 14" and 16" max. Click to expand Liebe zeit Silver Member. I've been playing with a 24" Giant Beat on my set for the better part of a year now.
I've had to make adjustments because simply put, the thing is like holding a wolf by the ears. If I get too aggressive on the thing, I completely wash out my band. SpareRib Senior Member.
That's what I'm hoping for. They're just harder to come by and you have to pay more for used in those sizes or to custom order them.
One day Liebe zeit said:. Are you sure it's not just from your POV? I play a 24" Giant Beat on a Bonham maple kit in my soul band and it certainly doesn't drown out the band. I do mostly keep it for when we're tearing it up at the end of tunes tho.
I open up my 15" s for a bit of slosh elsewhere. MikeM Platinum Member. I think that's what I'm really after Anon La Ply Renegade. Mid 70s. Ritchie Blackmore's Rainbow. Someone brought a type of ear plug wax. The concerts going on and I'm wondering how it would sound if I took out one ear plug. I took out the left one that wasn't facing he PA Hey, sounds good. When I went to bed my left ear was howling like no tomorrow. Pretty loud. Not sure if the Cure about 10 years ago were louder.
We all ended up making impromptu ear plugs with damepened tissue paper. Waaay too loud IMO I don't like music at high volume any more - it's an ordeal for me. Can't handle doof doof clubs for the same reason plus boring music and no live musos. I experienced a rather strange phenomenon at a show recently. These bands were deafening, which is pretty much how I prefer my music, so I was cool with it.
Standing at the front of the stage, maybe 6 feet from the kit, the snare was almost inaudible. But when you walked back by the sound booth the mix came in an everything sounded pretty good. At first I though it was just the drummer hitting lightly, but it was the same with every band. Pretty strange, I am a front of the stage kind of guy and I have never experienced that before.
Aeolian Platinum Member. When rock bands started playing in arenas and various halls, PA's were non-existent. You were lucky if someone scraped together two or three Altec A7 Voice of the Theater speakers on each side of the stage with a couple hundred watts driving them.
Watkins built column speakers that folks like the Who and Zeppelin used. A huge amp was still only a couple hundred watts. And doing something like the Dead and hauling around a pile of Macintosh tube amps was more than most folks wanted to do. So most of the noise came from on stage. You might get in front of the stage with these, losing it as you went back in the room. The PA's were just trying to keep up so you could hear the singing. Compared to anything else, it definitely felt loud at the time.
As they piled up more cabinets and amps, they started running everything through the PA and it got a bit louder. But that also allowed for reducing the stage volume. In the pile-o-cabinets days, maybe 1 or 2 amps were actually in use, the rest were to maintain that rock and roll look that people had come to expect.
These days you have dual 21" subwoofers that can handle W and amps that put that out. It is possible and happens at times that today is much louder that anything that any of the classic rock bands could manage, even with the scary looking piles of stuff. The technology just wasn't there. A speaker that could handle W was a big deal. The speakers that were in those Marshall stacks could only handle 25W apiece. Which is why they had multiple cabinets of 4 of them. What I find strange is the rating of amplifiers now.
Back in the day in our 2 guitars, bass and drums band, all the guitars had watt valve amps, with a watt PA for the vocals with 2 column speakers.
Most bands used this system and had no problems hearing the vocals out front. Now I see powered PA cabs on stands rated at watts running flat out and they struggle to cope. Our bass player has an watt solid state amp for his rig, it has plenty of volume but lacks "Body" somehow. It would seem to me that a valve watt is not the same as a solid state watt.
Stroman Platinum Member. Road Bull Silver Member. I've never experienced that either. The snare is usually cutting cutting through. I've heard high on fire are absurdly loud, as well as Electric Wizard. And of course the headliner always gets more volume and a better mix. Road Bull said:. This happens when you get beyond, as in behind the front of house PA You are hearing stage volume for the most part. Maybe some monitor, but doubtful. I get this all the time at shows.
Sometimes stage volume is so high, that the sound person hardly mixes the offenders into the mix at all. But from what I know. The on stage volume was high for guitar. Because the guitars hardly needed anything to bring the total volume to where it sounded good to people's ears.

Stories - @rockzonestudio.mx
Heavy metal is a demanding genre no matter what instrument you play, but it can be especially difficult for bassists. High-gain amps and detuned guitars make it tough for the bass to stand out. The right bass tone can mean the difference between contributing to the music and getting lost in the mix. As a bassist, the amp you choose plays an important role here.
Sunn 112R 1x12 Combo Amp - 112 R Amplifier - QOTSA Stoner Rock Doom - Classic Solid State Combo
Re: Let's see your AMP! Wed Dec 29, pm. The schematic in the back looks so white and new I tried to track one down before i settled for a What color? Playing out of an Ampeg Vt Ampeg VT amp ripped out of the combo and pooped into a new chassis with a purple Avatar Contemporary loaded with V30s. Currently in the market for a new bass cab. Purple Avatar. Don't know why the picture is upside-down, and I'm covered in makeup and fake blood, but hey!
Doom / Sludge / Stoner Amps

The doom metal subgenre is often said to go back to the iconic band Black Sabbath, though it really came into its own in the s when the Candlemass album Epicus Doomicus Metallicus gave the genre its name. The right amp is the most important factor in getting that perfect doom metal sound. Luckily there are many modern amps that can give you the same depth and power, sometimes in a surprisingly compact package. Check out our favorites below!
Goin' Doom: What's the best sludge/stoner pedal for a low-watt amp?
The Celestion company has its speakers in so many amps and speaker systems that a long introduction is quite unnecessary. The H in G12H represents the "heavier" magnet, which offers superb control over lower frequencies. For firm, powerful sounds where the speaker must not buckle under the pressure of sudden low frequencies. This item has been ordered with our suppliers and should be in our warehouse in the next few days. Served with love!
Session Notes: Tracking Psychedelic Rock
When it comes to practicing at home, many bass players find themselves short on suitable options. Full size, gig-friendly bass amps are far too powerful for most households, while playing an unamplified electric bass guitar is almost inaudible. Of course, practice amps have always been around but for many years this range may have seemed an unjustifiable expense, especially for those who already own a full-sized rig. The good news is that technological improvements in this area mean practice amps for bass are not only better than ever, they are also more affordable with great options to suit literally any budget. Are you looking for a great deal on the best bass amps for practice this Black Friday? Check out our Black Friday guitar deals page for the latest news, and the best deals around.
From the Vault: Klipsch, McIntosh, Altec from the Grateful Dead’s deep Sotheby’s auction
We at just had to manufacture a high quality powered tube. Growing up one of my best friends bought a car and it had a powered tube in it. The sound that it produced was just amazing and I will never forget it. Tubes push out some of the punchiest bass available.
Celestion G12H-30-8 70th Anniversary
RELATED VIDEO: Doom Metal Amps - Volume Power and HeadroomBy earthoverdrive , September 14, in Amps. The Eminence Governor 75 watters in my 2x12 aren't cutting it for high gain metal tuned down to G as they break up too much too soon. I don't want or need speaker breakup, my Laney's preamp provides plenty of distortion. Rather than getting some 12s with more headroom I thought it could be cool to have a couple of cabs with 15s but guitar 15s, not bass 15s for a tone kind of between bass and guitar speakers. I have no idea who makes guitar cabs for 15s or what speaker models would be good choices for high gain high volume heavy metal however. Possibly complicating matters is that I don't like speakers that are bright but bright speakers seem like they don't break up as much.
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Earlier, I thought otherwise, thank you very much for your assistance in this matter.