Oceana dead speaker download audio
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- Whither Asean centrality?
- Oceana dead speaker download drivers
- Birth.Eater/Cleanhead
- Dead Speaker Lyrics
- Internet radio: Everything you need to know to stream a world's worth of fantastic music for free
- Your basket is now empty.
- Linguistic Society of America
- YOU CAN STILL ADD MORE!
- Nuvo Whole Home Audio
- Billy Corgan
Whither Asean centrality?
We need your help — please. If you are interested in our downloads of high quality live recordings from the venue and exclusive digital releases from some of our favourite labels, it might be worth considering becoming a Digital Member. Members can choose 3 digital downloads a month from any label we stock, as well as receiving a discount on records, books and more from our website. Free Improvisation. Non-Western Music. Field Recordings. Early Electronics.
Music Concrete. Open Mouth. Old Heaven Books. Live Ateliers Claus. Astral Spirits. Terry Day Archives. Leo Records. Incus Recordings. Last week. Last month. Last year. Pioneering Japanese sound artist Akio Suzuki has created improvised and transitory performances since the s, investigating the acoustic qualities of selected locations and utilising an array a self-made instruments. ANALAPOS -a is mainly played by blowing a vice into one of the cylinders connected by a spring, while the -b type is made into a percussive instrument by arranging several of those cylinders upright and playing with drumsticks.
This family treasure disappeared from the net shelves of the train together with my suitcase! Immediately a lost property request call was made on the page of THE WIRE magazine issue , but still no luck after 16 years since then. Phil Dawson from Scratch gifted me another stone flute.
Phil remembered the incident that family stone flute got lost. He had picked up something similar to the lost stone at a nearby beach and kept it for me. Tango, where I live, is the northernmost point on the degree line of Japan Standard Time.
I named it honestly according to where I recorded and in this particular time and season. Samuel D. Loveless' curious and implacable music arrived in our inbox late last year, and we've been spellbound since. The work is book-ended by a 25 minute long composed piece, 'Guardian', which turns the clock off, drifting the narrative into free-fall with slowly moving blocks of resonant piano notes.
The room, a crypt, has not been renovated or changed much at all since its construction in , barring a few lights and minimal plug sockets. It is the resting place of so many. It is beautiful, grounding, harrowing and contemplative. Nor I or the space are more important than the other. Within my work as a creative, whether it be sound, visual, performative, whatever, everything is purposed; everything is exactly there for a specific reason. It is hugely researched, deliberate and deliberated over.
It comments on something. It is what is have to say. Not least of all because it had to encompass my whole being, but because singing, more specifically choral music, was my entry into the musical world as a chorister. Thank you. Following on from his duo release with Crystabel Riley as xcrswx on Takuroku Seymour Wright unveils two new solo tracks.
Recorded as part of his live stream in an empty OTO in August , Seymour explores the traditions, structures, and spaces of OTO, the saxophone, and memory.
Natural Rite [angle] , for Carole Finer solo for alto saxophone on window, shutters, radiator and wall. Knot Rite , after Frances A. Yates, Jan Kopinski and Tina Brooks solo for three alto saxophones and their feedback. Darcy Spidle chik white explores the fugitive spaces in and around his home in Chezzetcook Nova Scotia , mapping a multi-faceted aural topography with his mouth and various objects. In the old outhouse in his shed he plays some mouth harp, regurgitating his emotions in a series of spasms and tightly controlled muscle flexes.
Over in the humble cold porch he treats us to a bit of yodelling that borders both the beautiful and the absurd. Along by the mailboxes down the street a little strip of cove becomes a temporary space for some bird nose flute recordings, whilst back on his property he picks up electronic magnet field recordings using a handy Soma Ether V2. Recordings of the utility box in his driveway and the fuse box in his basement seem to be haunted by the ghost of Merzbow, but we'll leave that problem to Nova Scotia's parapsychologists.
In short, in Darcy's own words All this to say, the album is really a meditation on place Nour Mobarak is a compelling new artist from Los Angeles whose work, as she describes "excavates violence and desire — the compulsions, and glitches in both a person or nation state. In it, the left channel of the audio documents conversations with her father Jean Mobarak - a polyglot who has a second memory and lives in the mountains of Lebanon - while the right channel is composed simply of improvised song.
To understand Nour as a film-maker - someone who acts behind and in-front of the lens - is perhaps easier than that of a musician. When we asked Nour to do a release for Takuroku she kindly responded by offering us compositions used in her multi-disciplinary, multi-channel live performances over the past 2 years, mixed down to stereo as self-contained works.
What we hear is just one part of her overall projection, but that of which delves deep; investigating the voices of others, her own voice and vocal material that forms human languages.
It's poetry, a Cassavetes set piece, a walk in the park, a voice in abandon, a philosophical meditation on voice, agency and human beings - but of course much more than ideas projected on a flat canvas. Each piece moves and shakes, creating rhythms emanating from the syntax and intonation of language and the voice. Toothtone sounds like rippling streams of water running concurrently, splashing into themselves and overlapping one another.
Allophone Movement and its arrangement of voices captures the immediacy of machine-funk sampling techniques, whipping the immediacy of vocal expression into a composition that swings back and forth, like a Ron Hardy edit stripped to its bones. On Phoneme Movement her own vocals take centre stage with spirals, gurgles, purrs and cries that reach ecstatic heights: the voice excavated from its bodily origins. The word 'essential' is turning over and around in my head.
I am taking the quietest roads, trying to stay invisible, worried that someone might stop me and interfere with our plans. I find Daniel with recording equipment and hand sanitizer and together we walk another distance through dawn and smell of rain. We enter the Marshes, these essential lungs of East London. It is where he had come almost every day of these locked-down weeks to field-record and breathe.
I am wondering about places and times when public music was forbidden and never driven to extinction. This time it is for pandemic reasons and the severity of consequences is unspeakable and has turned into much noise in my head.
But the birds, the wind, and the rain offer such relief and I feel so shy in their presence that my music can only become the smallest of offerings to them in the rainless window between 4.
In house label for Cafe OTO which documents the venue's programme of experimental and new music, alongside re-issuing crucial archival releases. Coming together again in such celebratory circumstances and in the good company of a fantastic crowd set the scene for a very special night.
McPhee skitters over them with his pocket trumpet by way of introduction; Steve Noble strikes his rims in anticipation. The whole recording bleeds enthusiasm and joyful imagination and is a brilliant document of an unforgettable evening. Decoy are a limitless band who play nowhere near enough. We cannot attest to them any more: Book them, buy this, go and see them if you can. Mixed and mastered by James Dunn. Artwork and layout by Oliver Pitt. Photos by Dawid Laskowski.
Printed in an edition of New music from XT saxophone player Seymour Wright and percussionist Paul Abbott in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet.
XT structures sound an ongoing attempt to listen and learn about the rich and transformative affordances of the situations we occupy. Engineer Shaun Crook. From subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in — their first, public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organic, heterodyning ideas, and taut, lowbeating lumps.
The ingredients are familiar, but the listening is not. At its heart is a still, undecorated concentration fuelling an extreme testing of limbs, language and order. This has no concern with collapsing difference into a vogueish flattened mass froth, but searches — forensically, ceaselessly — for something to chew, in the challenge of discretion and integrity or asylum in the body of its instruments.
Akilsakilan learning, Doughnut. Their performances are consistent radical negotiations of the emotional, physical and social energies of the environments they sound out. Perfectly Reasonable. Mixed by Paul Abbott.
Design by Paul Abbott. It was one of those nights where the music electrifies the room. Everyone on edge. Everything alive with the possibilities. Although there was much talk after the concert of the group playing together again this would sadly be the first and last time the trio would play. Tony passed away unexpectedly just a few weeks later making this his last documented performance and a fitting tribute to a truly great drummer and percussionist.
Roscoe Mitchell is one of the most important saxophonists and composers of the 20th Century.
Oceana dead speaker download drivers
We need your help — please. If you are interested in our downloads of high quality live recordings from the venue and exclusive digital releases from some of our favourite labels, it might be worth considering becoming a Digital Member. Members can choose 3 digital downloads a month from any label we stock, as well as receiving a discount on records, books and more from our website. Free Improvisation. Non-Western Music. Field Recordings. Early Electronics.
Birth.Eater/Cleanhead
They sit in a small office in the gray line that divides Kolechia and Arstotzka. Their work is to sort through the sea of people seeking to get into Arstotzka. The officer is supposed to turn a blind eye to the despairing mass of humanity around him. All that matters to him is his own land and the dictum of its government. Glory to Arstotzka, as every communication repeats, until it becomes a mindless drone inside their heads. Glory to Arstotzka! The game has even spawned a short film. Papers, Please is set in the fictional country of Arstotzka in the year The country's geopolitical background is volatile, and it can be termed a "police state.
Dead Speaker Lyrics
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Internet radio: Everything you need to know to stream a world's worth of fantastic music for free
Submarine scare: The US-Australia nuclear submarine deal under Aukus is a major concern for Asean and other countries in the region. Morrison also used his meeting with Asean leaders to reassure them about the Aukus trilateral security pact agreed last month between the United States, United Kingdom and Australia, stressing that their nuclear submarine deal will not be a threat to the region. Already the issue has been divisive among Asean member states. As reported, US ally the Philippines, for one, has backed Aukus while other Asean members like Indonesia and Malaysia have raised concerns that the nuclear submarine plan could fuel an arms race in the region and intensify strategic tensions. Conducted online, the dialogue saw nine prominent scholars and academics from China, UK, US and Asean countries sharing their perspectives and insights of how Aukus will impact the strategic landscape of the region. This will inevitably turn Asean — already sandwiched between the two superpowers in the escalating Sino-American geopolitical tension — into a conflict-prone zone, said Ong.
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Linguistic Society of America
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YOU CAN STILL ADD MORE!
Whisper a few call letters into a smart speaker, summon a smartphone app, or tap a few computer keys to be whisked far, far away from your locked-down existence, transported across the country or half-way round the world, with nary a ticket to buy or passport to show. Wanna hang on a hot Brazilian beach with a nouveau Girl from Ipanema? The internet radio station Paul in Rio can take you there. California Dreaming of a ride up Laurel Canyon with local legends singing in your ears? For those who had planned a London entertainment getaway before all hell broke loose, BBC 4 radio dramas can still shine a light on West End acting talents. And BBC Radio 6 is great for pulling out punchy rock club concerts from its archives.
Nuvo Whole Home Audio
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Billy Corgan
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