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I raved about them then, and I still like them, but after doing everything on them for so long, I was feeling a little burnt and ready to try something new. Check out the website for an explanation of the unique ART design. They are a lot smaller than I had expected, and they seem to weigh almost nothing. Read on. What a difference. The ADAMs were much fuller in the Hz area, yet lacked the annoying bump around Hz that always made my life difficult with the Events.


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WATCH RELATED VIDEO: $249 Monitors VS. $1,749 Monitors... What's the Difference? - ADAM Audio

ADAM Audio T7V Active Studio Monitor


They were founded in and gained popularity fast; I remember salivating over their monitors in a Guitar Center in the USA in the very early s.

Their speakers were always a bit more costly than entry-level monitors from other well-known manufacturers like Yamaha, JBL, and Mackie. Years ago before I knew more about speaker design and technology, I assumed that since they were more expensive they must be better. Even so, after all these years, I am still a bit excited to finally have an ADAM Audio monitor pair in my hands for review.

The irony is that the pair I have in for review comes from a recent budget series that was launched in early called the T series, and what interests me about them is not that they are expensive but that they are very affordable.

Times change, people change However, the fundamental sound quality should be largely intact, minus some dynamic range. In removing some of the features of the higher-priced series, ADAM has simplified the industrial design which has cleaned up their appearance. While monitors are supposed to be just a tool for accurate sound reproduction and aesthetics should take a distant back seat in favor of sound quality, this series of reviews of monitors for Audioholics are also looking at their potential for home audio application, so looks matter for our purposes.

As a speaker for home use, the T7V looks nice. The T7V uses a molded plastic front baffle with a smooth exterior that could pass for a satin black finish. There is an increase in upwards beveling that lends the cabinets some style while ostensibly reducing baffle diffraction. A shiny, black polypropylene woofer with a flat black dustcap blends in with the satin black baffle, while a gold-colored AMT tweeter mounted in a shallow waveguide breaks the monotony of black with a touch of class.

A textured vinyl wrap is used on the side panels. Overall these look nicer than most studio monitors and could pass for home audio speakers if one were to use them in that application. To explain using an example, imagine the folded surface of a half-closed curtain- then line the interior folds of the curtain with conductive rods on adjacent sides of the folds, and set two powerful magnets on the sides of the curtain. Run some alternating current through the conducting rods and their newfound electromagnetic field will rapidly collapse and expand the folds of the curtain, and, in doing so, squeeze air in and out of the folds, thereby creating pressure waves that we experience as sound.

A major advantage of AMT tweeters is that since the folds of the diaphragm are much deeper than they are wide, the air is ejected out at a much faster speed than the vibration of the diaphragm itself- as much as five times faster.

Another advantage is the very light mass of the diaphragm, which makes it very easy to move and to change direction since it does not have the momentum of the weight of a typical dome tweeter.

These elements give AMT tweeters an extended response well into ultrasonic frequency ranges. Also, since AMT tweeters can have a relatively large surface coupled with the air, they can have a very wide dynamic range. I would guess it is a dB figure, but we shall see in the measurements. The T7V is a self-powered speaker that has a class-D amp for each driver. I would like to have seen a TRS input, but its omission is not a big deal. The output can be controlled by a gain knob along with a high-frequency shelf filter and low-frequency shelf filter.

The interior is lined with a thick layer of polyfill damping. Overall, the T7V looks sensibly designed with attention to detail along with some promising design decisions. I used the T7V monitors in two different rooms under different conditions to see how they would cope with different environments.

I set them up on my PC desk, which is essentially a quarter space, or a space enclosed by two boundaries. This desktop environment puts the listening distance at about 2. I also set them up in my home theater room, which gave them lots of breathing room and a nearly free-space environment. This is a far more acoustically friendly environment for sound quality. No subwoofers were used.

I used these monitors to listen to completed recordings rather than content creation since this is a home audio publication, and we are more interested in seeing how these fare in a home audio application.

It is only in recent decades that Danish composer Carl Nielsen has become a known-name outside of his home country. Many of his compositions were regarded as unusual during his own lifetime, and it was only after World War 2 that he started to gain some international recognition for his music. Even though this was a recording of an orchestra in a concert hall, the soundstage was considerably more distinct than most orchestral recordings of this type. Many orchestral recordings place the mic at a distance where some imaging of instrument sections can be distinguished, but there is not usually a lot of precise imaging, especially where concert all reverb can make a further blend of the sound.

While this detailed soundstage is most assuredly a quality of the recording, the T7V speakers were instrumental in creating such a vivid picture of the orchestra. Brass, strings, and woodwinds all had well-defined positions. Of course, that is what one would expect in a studio monitor, but it is definitely a positive attribute for home audio speakers as well. The dynamic range exhibited by these monitors was surprisingly good as well. Seeing as how most speakers strive for a point source of emission, it is perfectly fine to use near-field monitors at further distances so long as they are able to achieve your desired loudness levels.

The T7Vs had sufficient dynamic range for me in a normal home audio listening environment and likely would suffice for most other users as well. And speaking of atmosphere, this atmosphere created by this album is so thick you could cut it with a knife. The orchestral elements and synthesizer ambiance occasionally lull the listener into a trance but are then startled by moments of percussive fury that no doubt accompanied the more tense passages of the movie. On the T7Vs, one part of the recording that is nicely recreated is the layers of sound used to build up the atmosphere and multiple emotional elements within the early scenes.

The build-up to the central crisis is established with orchestral strains and synthesizer drones which create an unnerving tension in the music alone. The bass ability of the T7Vs and their elocution of these disparate sonic elements add up to a vivid narrative. The music, and its reproduction by the T7Vs, is so evocative that I have to wonder how effective the movie would be without the score.

Most of the music relies on bowed strings and so is sweeping in nature, but the sudden bouts of percussion could be startling, thanks in part to the dynamic range of the T7Vs.

Low frequencies are where a speaker is most likely to run into trouble at loud levels. The music on this album is aggressively loud and unlike anything else I have heard. The arrangements are very melodic, but the sounds used to construct those arrangements can often be quite bizarre and unique.

The low-frequency ability of these speakers again surprised me for their size and the fact that they are intended for near-field monitoring. A dedicated subwoofer might have been able to offer a bit more deep frequency prowess, but the T7Vs certainly caught most of what was there. Odd sounds could emanate from anywhere, but wherever they came from, the T7V speakers imaged those sounds with pinpoint precision.

Overall, this album was given a terrific reproduction on the T7V monitors. It seemed like a good candidate for something with lots of action set-piece sounds, so I gave it a spin.

These movies are as big-budget Hollywood as it gets, and the sound production gets the best possible treatment. This movie had lots of crashing things such as in an extended car chase in Paris featuring loads of crashing vehicles, and the T7Vs gave all the crashes a satisfying crunch of bending metal and broken glass. There was plenty of high-tempo percussion accompanying the many chase scenes, and they were all well rendered by the T7Vs where one could take their attention away from the on-screen action to give the sound some consideration.

A climactic helicopter chase also sounded lively with lots of swooping engine noises and doppler effects of the choppers passing back and forth.

Dialogue intelligibility was very good, and the voices imaged from character positions on-screen even though no center was used. This has as much to do with the sound mix as it does the speakers and their placement, but the T7Vs did play an important role in bringing about that kind of soundstage.

The music here was very bombastic, but the T7V speakers were able to reproduce the high energy of the sound mix with vigor. The dialogue was always clear even though most of the cast sported either fake or real accents. I am sure these speakers have their limits given their design, but I think that most people would never run into them in normal use. To be sure they are not party speakers or head-banging speakers, nor would I recommend their use for a dedicated home theater unless it was in a small room, but for typical movie or music playback in a family room, they have more-than-adequate dynamic range along with far-more-than-adequate sound quality.

James Larson is Audioholics' primary loudspeaker and subwoofer reviewer on account of his deep knowledge of loudspeaker functioning and performance and also his overall enthusiasm toward moving the state of audio science forward. Confused about what AV Gear to buy or how to set it up? Pros Surprising bass ability for the size Good directivity control Excellent imaging abilities Detailed sound without being fatiguing Slick appearance considering it is a studio monitor.

Cons On-axis response is not as restricted as would be hoped for in a monitor Narrow vertical response requires tweeter level listening. Listening Sessions I used the T7V monitors in two different rooms under different conditions to see how they would cope with different environments.

Music Listening It is only in recent decades that Danish composer Carl Nielsen has become a known-name outside of his home country. The dynamic range exhibited by these monitors was surprisingly good Like This? Check out our other Bookshelf Speaker Reviews! About the author: James Larson is Audioholics' primary loudspeaker and subwoofer reviewer on account of his deep knowledge of loudspeaker functioning and performance and also his overall enthusiasm toward moving the state of audio science forward.

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Adam Audio A7X Review – Should You Buy Them?

Discussion in ' Speakers ' started by nishan99 , Jul 4, Super Best Audio Friends. Read these "rules" AND introduce yourself before your first post. A healthy approach to understanding measurements Being true to what the artists intended. Adam A7x pro monitors review, an audiophile's review.

They the Adams aren't flat but are good enough to destroy lossy codecs and streaming services. They are the best thing in your setup if you can.

Adam Audio T7V review


A few years ago I started building my home studio, and one of the first things that I needed to do was to choose a pair of monitors. They are a key element in your setup since everything you listen to plays through them. Tracking and editing can definitely be done on headphones, and you can even start the mixing process on them. But eventually, you will need a pair of trustworthy monitors to check your music on to. Obviously, in a small to medium size studio, space is a limitation and you might have to find a compromise between the size of your speakers and how good their frequency translation would be. I started looking online for different options. After sorting a list with a few candidates, I decided to go to a music store to check them in person.

Adam Audio T5V Monitors review

adam speaker reviews

The Adam Audio T8V are monitor speakers made with bedroom producers and home studio owners in mind. Behind the unit are a bass reflex port, plus high-frequency and low-frequency switches for adjusting the response of the speaker to suit them to different room placements and acoustic treatments or lack thereof. A power switch and IEC socket are found at the bottom of the unit. Will the T8V continue this tradition, albeit in a larger package? We started testing to find out….

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ADAM Audio T7V Powered Monitor Speaker Review


The Adam T5V is a 5 inch studio monitor for beginning producers. You do not need an amplifier because it is an active monitor speaker. Connect the speaker directly to your sound card or computer and get started. Thanks to the XLR connector you ensure a balanced connection and prevent the cable from collecting noise. You will not hear any noise and make well-considered decisions about high-frequency sounds. You hear a lot of detail in the middle and high frequencies thanks to the ribbon tweeter.

Adam A7x pro monitors review, an audiophile's review.

If you have been looking for a brand that is worth your reliability, Adam Audio is definitely one of those brands that stand to its words. The best part of this brand is its consistency in terms of performance. It is popular among the users for its easy to use interface and seamless performance. For all the music lovers who have been looking for a higher definition, this would be the ideal fit for you! With so many variations available in the market, it is really tough to figure out about which particular model to pick up and invest in! A good research can however, sort out all your dilemma and help you fetch the best deal. Prior to making a decision, you need to understand your preference at first! Based on which kind of music you actually prefer to hear, be it a symphony music or a classical tune, or you may also go for a pop of a rock, or a jazz music, you ought to select Adam Audio A7X as that goes fit for acoustic jazz with its midfield monitors.

Adam T7V 2-Way Studio Monitor (Pair) The T7V is a two-way studio monitor designed for vertical use in a nearfield Be the first to review this product.

ADAM Audio T8V Exclusive Review - Budget Studio Monitors Tested

The T5V delivers plenty of clarity, decent imaging and volume from a pretty compact footprint. A tidy package, at a good price. The last Adam studio monitors we tried was the S2V - seriously customisable, awesome-sounding and, for many, prohibitively expensive. However, what sets the T5V apart from the pricier models is the rear-ring reflex port.

ADAM A3X Review


Now, ADAM Audio have launched the T8V: a new set of studio reference monitors that features many of the same specs as its predecessors, but boasts a little bit more power and growl under the hood. This is aided by a newly designed Class D amplifier with a high dynamic range and a peak SPL of dB, which is almost certainly overkill for most modern applications. Each unit also features a low-pass and high-pass filter switch on the back for immediate adjustments, while a DSP-powered crossover design stabilises the mid-range for critical playback. Boasting a frequency range of 25 kHz all the way down to 33 Hz, ADAM Audio have designed the T8Vs to appeal to those working in fields of music dominated by the low-end, particularly electronic and hip-hop.

Introducing the

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Can this monitor find a home in your studio? One year later, the company focused its efforts on a matching subwoofer, releasing the T10S. This design produces four times as much air movement as does a piston-based design with the same amount of membrane movement , creating higher sound pressure levels SPLs with lower distortion. So, in other words, the claim is that the tweeter design reduces the amount of vertical dispersion.




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  1. Shajin

    I join. And I have faced it.