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Mcintosh c8 for sale by owner for sale

Stereo - Less both than than 0. Register Other Helpful Links. Siehe Details. McIntosh MC Firstly, it's a highly sought after, highly regarded McIntosh amplifier. It comes with the original manual.


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The McIntosh Audio Compensator is a complete control unit for professional or home entertainment systems. The Audio Compensator supplies the necessary gain and equalization for use with low level phonograph cartridges as well as the high output of radio tuners. S schematic - bobrac Login or register to post reviews. Reviewed Feb 09th, by firstpreamp.

I was a teenager in Quebec city and I could not afford to buy, so I ordered parts from Montreal, cut a metal enclosure in Laval University shop and built a C8. I used it with a 20Watt Kenwood amplifier I also built. I built an enclosure for the best Warfedale speaker max field strength available at the time which I still own.

I used a GE variable reluctance cartridge. I enjoyed that system for very many years JPR. Recently got a pair of C8 preamps. I was originally thinking of pairing them with my MC60s, but am thinking that the draw of them on the amp power supplies might hinder their performance. An original D-8 separate power supply is really expensive, so I am thinking about building my own. Specs for one shows VDC, 4ma and 6. Has anyone tried building one, or found a decent equivalent?

Great, a C8 page! The site doesn't have enough info on older McIntosh schematics, manuals, repair, etc. The C8, the C11 and the C20, once modified, will exceed stock C22 performance at a much lower cost. The C8 using a P-S with an outboard X-former immediately lowers 60Hz hum in the phono circuit by at least 5 db. I use a C20 stereo compensator and a C-8s the one made as one half of a stereo C8 preamp.

I use the C8 for older mono records 78 RPM, Lacquers, acetates, metal masters, transcriptions, early microgroove, etc. The C8s is mono, but has stereo pots and selector switches for adding a second C8 for a true stereo preamp. If built, it would be like a C11 or C22, but with a 10 switch compensation system and a 4 position rumble filter.

Only the C has significantly lower noise and distortion. The problem then is finding each disc's compensation starting point. No one's ears are good enough to hit the best compensation quickly with a graphic EQ. In the end, you will usually twiddle so long that your hearing plays tricks on you and the master sounds like rubbish the next day.

A: There are 5 "bits" per bass and 5 more "bits" on the treble bank. Of course 0 is a setting, and that's how we get settings. Therefore, the bass turnover comp settings have 32 possibilities. However, when combined with the rollover treble switch bank, we have another 32 possible settings. How in the name of Mr. Worse, how did they design a layout that would be quiet?

Remember, it will allow you to repeat a setting accurately. It's not like a couple of tone pots that may allow for many settings, but NOT for returning to a favourite setting. If you want an engineer's thrill, have a look at the schematic, THen look at the layout with the 10 slide switches. And pray you never have to repair that compensation circuit.

Also, pray that a slide switch does not go bad. Sure you can get new slide switches that will fit and look almost identical. But they are cheap tin from China and will not last a year, while the originals are the finest brand -no longer made and will NEVER go.

Spray a little De-Oxit in the swithces and pits and then spray out with canned air. Go do it now. But, um, is anyone doing that? The commercial record companies could care less how the old music sounds on a CD as long as the surface noise is filtered out so the record sounds muffled and dead. Here is the secret.

Older music mostly has no master remaining to easily make a mocern CD that sounds good. All that eremains are the shellacs and early microgroove pressings. Even the early tape sources are turning to dust. Studio lacquers were thrown out because of insurance problems they are famable.

If don't master this set, no one else will or can. See what I mean? A responsibility. There are two solid-state compensating preamps out there, and they are fine, cleaner and lower noise than the C8. What's the difference? As for sound -flat to a half db -that's what ole' Pa' McIntosh said, and he is right. What they don't tell you is that no human listens to white noise.

We listen to music. There are so many elements of an audio signal path that are not regularly run through the test gear yet these things affect our enjoyment of the music. And these artifacts in any audio signal CAN be measured accuately. Otherwise, it would NOT be science.

It would be some sort of Zen thing for snob hi-fi gear. That stuff is for idiots who have more money than brains, and haven't the inclination to crack a basic electronics book. Unless you were a paid member of RIAA, you could not use the compensation curve or at least post it on the jacket! Plus, producers soon learned how extreme modern compensation curves were and often 'sweetened' their lathe master tape to come out sounding sweeter on the disc e. They even drove the development of most of the valves that we use today.

In RCA designed most of the 9 pin miniture valve specs that we still use today. RCA was also the best professional manufacturer. NO major radio staion would dare go on the air without an RCA board, RCA turntables, mikes the famous ribbon 44 , and even transmission equipment. Ella Fitzgerald favoured an RCA 44, -through her entire career, -tape or lacquer studio source.

The RCA 44 and 77 mikes are still used on records and highly sought after. A good working 77 will sell for many thousands of dollars. If you ever see RCA commercial passive audio transformers high to low impedance, -e. They are still the best way to get the output of your tube gear to that digital recorder; and no manufacturer has EVER come close to those transformers. RCA drove the state of the art of the recording, reproduction and radio industries.

Only poor shellac made their records sound bad during the war. What is it? This is odd. It quickly gives you an idea of which direction to go OR, it can often be just right!

RCA was the greatest audio innovator of equipment and process in the recording and radio industries from the early s through about Why buy a new fancy "Hi-Fi', when the old 78 players sound great? I have seen 78s of "Day Tripper" and "Paperback Writer"!!! Atlantic had the new Scullay feed-back lathe that made records sound as if they had more bass. So, if you listen to "Paperback Writer" and "Rain", you will hear more bass due to the feed-back lathe.

The master tapes were also made with more bass guitar and kick drum. However, the 78RPM's needed no such fancy gear. I have Fats Waller sides from with Waller on the Hammond organ and even playing the famous European church organs, and the sub-bass goes strongly down to 28 or 32 cycles.

This gave the Lathe Engineer compensation choices. So if what you really want is a McIntosh C22 a zillion dollars , instead think about a C11 or a C If you really want to remasterold records than a McIntosh C8s and a standard C8 operating in stereo are a best bet. A stereo C8 set-up with a good power supply will over-all whip a stock C The reissue C22s do not count.

They are far better, due to many modern upgrades. Yes, it has no compensation choices, but a good outboard graphic EQ will fix that. Is it worth the hideous proce tag? Did you expect a differant answer? Of course, this works best for resistors in which the signal is directly carried or affected, E.

Tone and filter caps are not going to buy you anything unless the part has gone bad.


McIntosh C8

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TLDR Which preamp should I get a brand new C8 with the DA2 DAC module or a Demo C52 He was the president of Mcintosh Gordon Gow son.

Mcintosh C8 Pair // Tube Preamplifiers


The C8 when combined with an amplifier like the matching MC Amplifier , source components such as a turntable , CD player or streaming music player , and a pair of speakers , it can help deliver a lifelike audio experience in your home. Similarly sized to our MA Integrated Amplifier, the C8 is powered by four 12AX7a vacuum tubes housed inside stylish protective cages. For inputs, the C8 comes with 1 balanced and 2 unbalanced analog inputs, plus 1 Moving Coil and 1 Moving Magnet phono inputs with adjustable loading to play cherished vinyl collections. All inputs can be given user-friendly names in order to simplify user control. Bass and treble tone controls help fine tune your music to your personal preferences. For outputs, it has 1 balanced and 2 unbalanced; 1 of the unbalanced outputs can be configured as a subwoofer output for use with a powered subwoofer to further enhance low frequencies. While the C8 does not come equipped with any digital inputs, it is digital-audio-ready as our DA2 Digital Audio Module can be installed in it.

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mcintosh c8 for sale by owner for sale

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Always hankered after a retro-chic McIntosh valve preamplifier and compatible power amp to match? Feast your eyes on this neat new duo. Despite style cues that nod to the firm's s and s design heritage, McIntosh is quick to state that both the C8 and MC are chock-full of modern-day technology. The C8 Vacuum Tube Preamplifier offers a compact footprint, powered by those four green-glowing 12AX7a valves housed in protective and striking cages.

McIntosh Announces Availability and Pricing for MC830 and C8


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So virtually the same power at 8, 4 and 2 ohms. Scott Walker Audio is proud to be McIntosh's premier west coast dealer.

McIntosh C8

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  1. Porfirio

    It bores me.