A Guide to #DIY #StudioMonitor, स्टूडियो मॉनिटर स्पीकर घर में कैसे बनाये ? Part 2

A Guide to DIY Studio Monitor, स्टूडियो मॉनिटर स्पीकर घर में कैसे बनाये ?Part -2
A detailed guideline video about making Studio Monitor at Home. Though its a very difficult subject but I tried in my own way. I tried to keep the things easy as for as possible. The video is divided into two parts.
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Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term monitor implies that the speaker is designed to produce relatively flat (linear) phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" or "transparent" are synonyms), and there will be no relative phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a monitor often refers to a near-field (compact or close-field) design. This is a speaker small enough to sit on a stand or desk in proximity to the listener, so that most of the sound that the listener hears is coming directly from the speaker, rather than reflecting off of walls and ceilings (and thus picking up coloration and reverberation from the room). Monitor speakers may include more than one type of driver (e.g., a tweeter and a woofer) or, for monitoring low-frequency sounds, such as bass drum, additional subwoofer cabinets may be used.

There are studio monitors designed for mid-field or far-field use as well. These are larger monitors with approximately 12 inch or larger woofers, suited to the bigger studio environment.

Also, studio monitors are made in a more physically robust manner than home hi-fi loudspeakers; whereas home hi-fi loudspeakers often only have to reproduce compressed commercial recordings, studio monitors have to cope with the high volumes and sudden sound bursts that may happen in the studio when playing back unmastered mixes.
o Generally, studio monitors are physically robust, to cope with the high volumes and physical knocks that may happen in the studio, and are used for listening at shorter distances (e.g., near field) than hi-fi speakers, though nothing precludes them from being used in a home-sized environment. In one prominent recording magazine, Sound on Sound, the number of self-amplified (active) studio monitor reviews significantly outweighs the number of passive monitor reviews over the past two decades indicating that studio monitors are predominantly self-amplified, although not exclusively so.[14] Hi-fi speakers usually require external amplification.[15]

Monitors are used by almost all professional producers and audio engineers. The claimed advantage of studio monitors is that the production translates better to other sound systems.[16] In the 1970s, the JBL 4311's domestic equivalent, the L-100, was used in a large number of homes, while the Yamaha NS-10 served both domestically and professionally during the 1980s. Despite not being a "commercial product" at the outset, the BBC licensed production of the LS3/5A monitor, which it used internally. It was commercially successful in its twenty-something-year life,[9][17] from 1975 until approximately 1998. The diminutive BBC speaker has amassed an "enthusiastic, focused, and ... loyal following", according to Paul Seydor in The Absolute Sound.[18] Estimates of their sales differ, but are generally in the 100,000 pairs ballpark.[18][19]

Professional audio companies such as Genelec, Neumann (formerly Klein + Hummel), Quested, and M & K sell almost exclusively to recording studios and record producers, who comprise key players in the professional monitor market. Most of the consumer audio manufacturers confine themselves to supplying speakers for home hi-fi systems. Companies that straddle both worlds, like Amphion Loudspeakers, ADAM, Dynaudio, Focal/JM Labs, JBL, PMC, surrounTec and Tannoy tend to clearly differentiate their monitor and hi-fi lines.