https://stonewall.audio
Stonewall Audio's Victor Rey is understandably very proud of his Stage One pedal. The Stage One aims to emulate the various front-end stages of an amplifier and it does it very well, in my opinion. Rather than being a classic overdrive or distortion, the Stage One reacts more like a slightly to heavily overdriven amplifier with the added bonus of 'Bright/Normal' and 'Tight/Thick' toggles to further tailor your experience and tone. The Boost component begins at around +12dB and completely wound up will give you around +30dB of extra gain. This is a dynamic pedal that you can really feel under the fingers. Bravo, Victor. I predict great things for you in 2022.
Today's tools:
Guitar: 2021 Fender American Original 50's Stratocaster & 2011 PRS Studio. Both stock.
Amp: Marshall 1962 JTM combo (reissue) to 4x12 OwnHammer Bogner IR (hosted in Axe-FX III MKII)
Power Supply: Eventide PowerMax by Cioks
Mic: Samson Airline77 (me)
Camera: iPhone 11 Pro and Canon D60
Soundcard: PreSonus Quantum & Fractal Audio Systems Axe-FX III MKII (guitar, mixing and bouncing).
Desktop Monitors: PreSonus R80 R-Series Active AMT Studio Monitors (https://www.presonus.com)
Computer: 2017 Apple iMac Pro, 2.5 GHz 14-Core Intel Xeon W, 64 GB 2666 MHz DDR4, Radeon Pro Vega 64X 16 GB
Software: Logic Pro X, Apple Final Cut Pro X, Compressor.
Stonewall Audio's Victor Rey is understandably very proud of his Stage One pedal. The Stage One aims to emulate the various front-end stages of an amplifier and it does it very well, in my opinion. Rather than being a classic overdrive or distortion, the Stage One reacts more like a slightly to heavily overdriven amplifier with the added bonus of 'Bright/Normal' and 'Tight/Thick' toggles to further tailor your experience and tone. The Boost component begins at around +12dB and completely wound up will give you around +30dB of extra gain. This is a dynamic pedal that you can really feel under the fingers. Bravo, Victor. I predict great things for you in 2022.
Today's tools:
Guitar: 2021 Fender American Original 50's Stratocaster & 2011 PRS Studio. Both stock.
Amp: Marshall 1962 JTM combo (reissue) to 4x12 OwnHammer Bogner IR (hosted in Axe-FX III MKII)
Power Supply: Eventide PowerMax by Cioks
Mic: Samson Airline77 (me)
Camera: iPhone 11 Pro and Canon D60
Soundcard: PreSonus Quantum & Fractal Audio Systems Axe-FX III MKII (guitar, mixing and bouncing).
Desktop Monitors: PreSonus R80 R-Series Active AMT Studio Monitors (https://www.presonus.com)
Computer: 2017 Apple iMac Pro, 2.5 GHz 14-Core Intel Xeon W, 64 GB 2666 MHz DDR4, Radeon Pro Vega 64X 16 GB
Software: Logic Pro X, Apple Final Cut Pro X, Compressor.
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